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Mr. Jones

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If you see him… run’

Mr. Jones is a 2013 horror thriller film and the feature film directorial debut of Karl Mueller, who also wrote the screenplay. It had its world debut on April 19, 2013 at the Tribeca Film Festival and was released on Blu-ray and DVD by Anchor Bay on May 2, 2014. It stars Jon Foster and Sarah Jones.

While filming, Mueller was inspired by director David Lynch and the film Eternal Sunshine of the Spotless Mind, and wanted to design the film’s soundtrack to “make it feel like you’re under water, or in somebody’s head and they have a bad cold.”

He was also inspired by the memory of a neighbour of his during childhood in Minnesota, as the man had lived in a “primitive shack of a cabin with no running water, trapped animals and hung them up around the woods. He had lots of bizarre farming equipment overgrown by weeds around his house. He was the boogieman we made up stories about to scare ourselves at night.”

Plot teaser:

Penny (Sarah Jones) is on her way out to the woods to help her boyfriend Scott (Jon Foster) make a nature documentary. The two end up fighting, as Scott has not fully planned out his documentary and Penny had given up a good job to come help him. Things turn strange when one of Scott’s possessions is stolen, prompting the two to seek it out. They end up finding a cabin filled with various strange, weird artefacts and figures.

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They eventually realise that the cabin is the home of Mr. Jones (Mark Steger), an elusive artist who sends his artwork to random people with no rhyme or reason. Scott investigates the mythology and rumours surrounding Mr. Jones with the intent to make him the subject of his next documentary, despite warnings that he stay far away from the man in question…

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Reviews:

” … a thriller with a promising outsider-art premise that ultimately gets too wrapped up in mystical, reality-questioning headgames to tell a satisfying story. That failing and an annoying spin on the found-footage trope shouldn’t hurt much with genre auds, who will enjoy the distinctive atmosphere of this sometimes beautiful film.” John DeFore, The Hollywood Reporter

“But as beautiful and creatively shot as the first half of the movie is, Mr. Jones takes an unfortunate turn at around the halfway mark. Much of the handheld camera work becomes shakier as the characters are in situations where they need to run. And everything eventually breaks down into disjointed, dream-like, choppy scenes. Things become hard to follow and sometimes even hard to see. By the time I got to the final ten minutes, I had had enough of the ongoing trippy scenes and was absolutely ready for the end.”Scott Hallam, Dread Central

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“Their encounters with the silent creepster, in and out of his subterranean lair, are spooky, but Mr. Jonesultimately warps into a self-absorbed ode to its own making. By film’s end, it implies through easy montage barfs of Scott’s unedited doc footage that the story’s boogeyman isn’t so much scaring Scott and Penny as the couple is scaring themselves by trying to unravel the mystery of his identity. Mueller asks us to look at his film as one might Mr. Jones’s art—to validate its authenticity using a barometer of fear.” Ed Gonzalez, Slant

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“You can’t really dip into dream logic if you have nary a single eye-popping visual, and in doing so, Mueller completely wastes a unique, potentially durable concept: just imagine a hooded monster in the woods making a side-living as an avant-garde darling of the art world. The movie you’ve now visualized in your head is probably a good deal more interesting than Mr. Jones.” Gabe Toro, Indiewire

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Buy Mr. Jones on Blu-ray | DVD | Instant Video from Amazon.com

“An assaulting, strobing, surreal sprint through the forest, Chris and Penny keep encountering frightening visions of themselves and each other; the strangeness on display specifically recalling Lynch in its colors and frightening duality. It’s also massively frustrating. The choppy, jerking style employed by Mueller becomes abrasive in the extended sequence, wrapping up with a possibility there might not be as much to chew on as all the spectacle would have you believe. If you are not turned off, however, a second viewing seems in order.” Samuel Zimmerman, Fangoria

Cast:

  • Jon Foster as Scott
  • Sarah Jones as Penny
  • Mark Steger as Mr. Jones
  • Faran Tahir as The Anthropologist
  • Stanley B. Herman as The Old Journalist
  • Ethan Sawyer as Alleged Scarecrow Recipient
  • Jordan Byrne as Peter Cavagnaro
  • David Clennon as The Curator
  • Jessica Dowdeswell as Penny
  • Diane Neal as The Scholar
  • Rachel O’Meara as The Skeptic

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Buy Mr. Jones on DVD | Blu-ray from Amazon.co.uk

Filming locations:

Santa Clarita, California

Wikipedia | IMDb



Baron Blood

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Baron Blood (original title: Gli orrori del castello di Norimberga “The Horror of Castle Nuremberg”) is a 1972 Italian/German horror film directed by Mario Bava from a screenplay by Vincent Fotre. It stars Joseph Cotten (Lady Frankenstein), Elke Sommer (Lisa and the Devil), Massimo GirottiRada Rassimov and Antonio Cantafora.

The Italian version was scored by Stelvio Cipriani (A Bay of Blood; Night Hair ChildTentacles) whereas the US release by AIP was re-scored by Les Baxter (as were Bava’s earlier films Black Sunday and Black Sabbath).

Plot teaser:

American Peter Kleist travels to visit the castle of his Austrian ancestor Baron Otto Von Kleist who had a reputation that earned him the nickname “Baron Blood” and who was cursed by a witch, Elisabeth Holle, for his evil deeds against the villagers before he burned her at the stake.

Peter is shown a parchment with a spell reputed to have the power to bring Baron Blood back to life. As a lark with Eva, a female architect renovating the castle for a hotel project, he reads the invocation out loud in the castle. Frightened by an unseen presence, they read the spell to send him back. They later read the invocation again, only this time the parchment is burned before they can read the dismissal.

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The revived corpse-like Baron goes into town and murders a doctor, starting a reign of terror against the villagers. With each murder victim he becomes more human yet can revert to his hideous appearance…

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Arrow Video Blu-ray + DVD release:

  • High Definition Blu-ray (1080p) and Standard Definition DVD presentation of three versions of the film: Bava’s original version Gli orrori del castello di Norimberga with Italian audio, The European Export Version of Baron Blood with English audio, and, on home video for the first time, the re-edited and re-dubbed AIP Version of Baron Blood with alternate score by Les Baxter
  • Three audio versions: Optional Italian, European English and AIP English re-dub and re-score
  • English SDH subtitles and a new English subtitle translation of the Italian audio
  • Audio Commentary with Bava biographer and expert Tim Lucas
  • Introduction to Baron Blood by author and critic Alan Jones
  • Delirium Italian-style: Ruggero Deodato on Mario Bava and the golden age of Italian genre films
  • Mario Bava at work – a photo gallery of Bava behind the scenes on his films
  • Trailers for Baron Blood
  • Baron Blood Radio Spots
  • Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys
  • Collector’s booklet featuring new writing on the film by critic James Oliver, illustrated with original archive stills and posters

Buy Baron Blood on Arrow Blu-ray from Amazon.co.uk

Reviews:

Baron Blood’s beautiful, atmospheric visuals render it, at the very least, an entertaining instalment in his later filmmaking period. A chase sequence in the fog-filled alley, the Baron’s resurrection, and the corpses around the castle all make for very fine set pieces. All the ingredients are present, and even though they don’t completely add up, a mediocre Bava film still plays better than even the best of most horror directors.” Samm Deighan, Diabolique

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“Fortunately, the movie is buoyed a little by fun performances like Cotten, Sommer (who makes an excellent old-school horror actress—dumb, with screaming abilities that are practically operatic) and Rada Rassimov as a kooky witch who can channel the spirits of the dead. Despite its numerous issues, which include being not in the least scary, Baron Blood is kind of fun to watch. It’s cheesy, creepy enough to give you a fun shiver or two, and has a villain that at least looks scary, even if his acts aren’t.” Abby, No More Popcorn

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“From a production stand point there are not that many areas in which this film does not hold really well. The visuals are first rate, pacing is never an issue as things move briskly from one revelation to the next and once again Mario Bava excels, when it comes to the murder set pieces. Outside of the deliriously over the top performance from Joseph Cotton (Citizen Kane, The Third Man) in not one, but two roles. None of this film’s other performance leave that strong of an impression and they tend to come off as to mechanical in their delivery.” Michael Den Boer, 10k Bullets

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Buy Baron Blood on Kino Classics Blu-ray from Amazon.com

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Cast:

Filming locations:

Burg Kreuzenstein, Austria

Wikipedia | IMDb | Image credits: Zontar of Venus


Digging Up the Marrow

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‘Wanna see some monsters? Grab a shovel.’

Digging Up the Marrow is a 2014 film written, directed, executive produced by, and starring Adam Green (Hatchet trilogy; Frozen) as himself along with his friends playing themselves: Will Barratt, Rileah Vanderbilt, Josh Ethier, actor Kane Hodder (former Jason Vorhees), director Tom Holland (Fright Night; Child’s Play), Mick Garris (Critters 2; The Stand), Sarah Elbert, Steve Agee, director Don Coscarelli (Phantasm films; John Dies At the End), Evan Dickson, Corri English. Ray Wise (Jeepers Creepers II) appears as William Dekker.

The film is described as a documentary about “monster art” that Green has made in collaboration with popular urban artist Alex Pardee.

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On August 23, 2014, Digging Up the Marrow had its world premiere at Film 4 FrightFest in London. Green presented the film in a shroud of mystery with no screener copies, trailers, clips, or stills from the film available beforehand. While audiences and critics have so far honored the filmmaker’s requests to not spoil even the smallest of details about the film on-line, the response to the screening on Twitter by audience members was overwhelming ecstatic and just two days later Green announced on his blog that the film had officially sold for North American and UK theatrical distribution.

Details of this ArieScope Pictures production 2015 release are forthcoming…

Plot teaser:

When filmmaker Adam Green receives a package in his fan mail from a strange man claiming that he can prove that monsters indeed exist, he and his crew are taken on a mysterious, fantastical, and terrifying journey into the shadows and deep down under the ground below our very feet…

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Buy on Blu-ray from Amazon.com

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IMDb

 


City of the Living Dead

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‘The dead shall rise and walk the Earth’

City of the Living Dead – Italian: Paura nella città dei morti viventi [translation: Fear in the City of the Living Dead], released in the US as The Gates of Hell – is a 1980 Italian horror film directed by Lucio Fulci (Zombie Flesh Eaters; The Beyond; The New York Ripper) from a screenplay co-written with Dardano Sacchetti. It is the first instalment of the unofficial Gates of Hell trilogy that also includes The Beyond and The House by the Cemetery. The film’s haunting score is by Fabio Frizzi and was issued again as a vinyl album in 2013 by Death Waltz Recording Company.

 

The film stars Christopher GeorgeCatriona MacCollJanet Agren, Antonella Interlenghi, Giovanni Lombardo RadiceMichele SoaviVenantino Venantini. Director Fulci makes an uncredited cameo appearance as Dr. Joe Thompson.

Plot teaser:

In New York City, during a séance held in the apartment of medium Theresa, Mary Woodhouse (Catriona MacColl) experiences a traumatic vision of a priest, Father Thomas (Fabrizio Jovine), hanging himself from a tree branch in the cemetery of a remote village called Dunwich.

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When the images overwhelm her, Mary goes into convolutions, and falls to the floor as if dead. The police interrogate Theresa, but fail to heed her warnings of an imminent evil. Outside the apartment building, Peter Bell (Christopher George), a journalist, tries to gain entry to the premises but is turned away.

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The following day, Mary is buried in a local cemetery on Long Island overlooking Manhattan and Peter visits her grave site. The gravediggers (Perry Pirkanen and Michael Gaunt) leave Mary’s half-covered coffin at the end of their work shift and leave. Soon, Peter hears muffled screams as he reluctantly leaves the graveyard. Using a pickaxe, he frees the screaming woman from her premature burial, but with the axe coming dangerously close to her head as it smashes through the casket lid.

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Peter and Mary visit Theresa where she warns them that according to the ancient book of Enoch, the events Mary has witnessed in her visions presage the eruption of the living dead into our world. The death of Father Thomas, a marked priest, has somehow opened a door through which the living dead can enter and the invasion will commence on All Saints Day, just a few days away…

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Buy on Blu-ray | Instant Video from Amazon.co.ukAmazon.com

Reviews:

” …with its nonsensical ‘plot’ randomly constructed according to the illogic of fear, and its grotesque emphasis on physical mutability, fragmentation and decay, it could just conceivably be the sort of disreputable movie the surrealists would have loved.” Time Out

” …City of the Living Dead’s narrative is bland and workmanlike, but it does at least plod along at a solid and continuous pace like the beating drum in Fabio Frizzi’s effective, minimalistic score. That score and every other aspect of the film really come into their own in the big finale; when the location of the portal into hell is discovered and Fulci’s direction is at its most stylish and lively, building up into a final shot that is perplexingly ambiguous.” Matt Shingleton, The Digital Fix

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“While usual undead stylish Giannetto De Rossi isn’t along for the ride, these walking corpses are appropriately ghoulish and maggot infested. Their collective, grand rising occurs in one of Fulci’s best set-pieces: a dank, dark, cobwebbed crypt that exudes death. Whereas the barren wasteland of The Beyond is eerie in its vast emptiness, this is terrifying in its claustrophobia. Our characters here stumble into an eternal sea of visceral, violent death rather than a spiritual, soul-sucking demise.” Brett G., Oh, the Horror!

“What Fulci gives us is a collage of images, some of which fit into the film’s story arc, while others simply add to the overall atmosphere of apocalyptic doom. So, a shower of maggots appears out of nowhere, a boy’s head comes into contact with an industrial drill and a woman vomits up her intestines.” Jamie Russell, Book of the Dead: The Complete History of Zombie Cinema

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Buy Book of the Dead from Amazon.co.uk | Amazon.com

“The story does verge on the incoherent at times and certainly isn’t as neatly tied together as The Beyond or The House By The Cemetery, but has a rather more dreamlike quality to it. The build up to the slightly anti-climactic ending is somewhat surreal… Andygeddon

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Buy Lucio Fulci Collection on Blu-ray from Amazon.com

City of the Living Dead is saturated with technical exaggeration, teeming with oddball performances and high on its own outrageous contrivances. Elegant cross-fades and superimpositions add beauty, as do a handful of judicious, painterly details, like the petal seen dropping silently from the rose held by the catatonic Mary in her coffin. All these factors coalesce, and the film survives its thin story thanks to the eccentricity of its detail.” Stephen Thrower, Beyond Terror: The Films of Lucio Fulci

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Buy Beyond Terror: The Films of Lucio Fulci from Amazon.com | Amazon.co.uk

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Buy City of the Living Dead on Arrow Video Blu-ray | DVD from Amazon.co.uk

Special features:

  • Original Theatrical trailer
  • Dame of the Dead
  • Live from the Glasgow Theatre
  • The Many Lives And Deaths of Giovanni Lombardo Radice
  • Penning Some Paura – Dardano Sacchetti Remembers COTLD
  • The Audio Recollections of Giovanni Lombardo Radice
  • Audio Commentary with Catriona Macoll and Jay Slater
  • Profondo Luigi – A Colleague’s Memories of Lucio Fulci
  • Fulci’s Daughter – Memories of the Italian Gore Maestro
  • Carlo of the Living Dead – Surviving Fulci Fear
  • Fulci in the House: The Italian Master of Splatter
  • Gallery of the Living Dead

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Choice dialogue:

Bar owner: “A few beers and you fellows start seeing ghouls and devils all over the place.”

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Cast:

  • Christopher George as Peter Bell
  • Catriona MacColl as Mary Woodhouse (credited as Katriona MacColl)
  • Carlo De Mejo as Gerry
  • Janet Agren as Sandra
  • Antonella Interlenghi as Emily Robbins
  • Giovanni Lombardo Radice as Bob
  • Daniela Doria as Rosie Kelvin
  • Fabrizio Jovine as Father William Thomas
  • Luca Venantini as John-John Robbins (credited as Luca Paisner)
  • Michele Soavi as Tommy Fisher
  • Venantino Venantini as Mr. Ross
  • Enzo D’Ausilio as Sheriff Russell’s deputy
  • Adelaide Aste as Theresa
  • Luciano Rossi as Policeman #1 in Theresa’s apartment
  • Robert Sampson as Sheriff Russell
  • Lucio Fulci as Dr. Joe Thompson
  • Michael Gaunt as the Gravedigger #1
  • Perry Pirkanen as the Blonde Gravedigger
  • James Sampson as James McLuhan; Séance Member
  • Martin Sorrentino as Sgt. Clay
  • Robert E. Warner as the Policeman Outside Theresa’s apartment building

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Buy Limited Edition Blu-ray Steelbook from Amazon.co.uk

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Wikipedia | IMDb


Nekromantik 2

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Nekromantik 2 - stylised as NEKRomantik 2 – is a 1991 German horror/splatter film directed by Jörg Buttgereit and a sequel to his 1987 film Nekromantik.

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The film is about necrophilia, and was quite controversial and was seized by authorities in Munich twelve days after its release, an action that had no precedent in Germany since the Nazi era. Today, it is regarded as a cult classic.

On February 10, 2015, Cult Epics are releasing the film on a Limited Edition Blu-ray. Special features are:

  • New Director’s Approved HD transfer (taken from the original 16mm negative)
  • New Introduction by Jorg Buttgereit (2014)
  • Audio Commentary by Jorg Buttgereit, co-author Franz Rodenkirchen, and actors Monika M. and Mark Reeder
  • The Making of Nekromantik 2
  • Still Photo Gallery
  • JB Trailers
  • Original Motion Picture Soundtrack
  • Original Motion Picture Soundtrack (2011) Live
  • 20th Anniversary Live Concert performed by Monika M. and Friends – Video (2011)
  • A Moment of Silence At the Grave of Ed Gein, Short film by Jorg Buttgereit (2012)
  • Half Girl Lemmy, I’m A Feminist, Music video by Jorg Buttgereit (2014)
  • Limited edition (5000) copies
  • Includes Nekromantik 2 Collectible Artwork by Johnny Ryan & Nekrophilia photo of Monika M.

Buy Nekromantik 2 on Cult Epics Blu-ray from Amazon.com | Amazon.co.uk

Plot teaser:

Monika (Monika M.) is a beautiful necrophiliac who lives alone in Berlin. By day she works as a nurse. By night she prowls through cemeteries while searching for fresh corpses. When she reads about the suicide of Rob (Nekromantik‘s Daktari Lorenz) she finds his grave to dig up his body and brings it home.

 

Mark (Mark Reeder) lives across town and makes his living dubbing porn films. After meeting Monika, romance blossoms and they fall in love.

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But all is not well in Monika’s world. Her relationship with Mark begins to falter and she has to make a final choice between loving the living or the dead…

 

Reviews:

“The film is almost a re-imagining of the first, many similar concepts but approached from a slightly different angle. Whereas NEKRomantik focussed on loss and rejection, NEKRomantik 2 is more about female empowerment and acceptance of strangeness. In both films the man in the relationship loses the game but the focal point of the second is the triumphant female whereas the first was of the breakdown of the male.” Horror Extreme

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“With Monika M. in captivating form as the intelligent, but lonely soul in search of that illusive orgasm she, in many ways, can be seen as representative of Buttgereit’s ‘lonely’ male audience, except in the heroine’s case, she doesn’t just sit back watching transgressive films all day, she decides to do something about it. Perhaps this is why male viewers find the film distressing? Why predominantly male/right wing censorship authorities deem the film so endangering to the public? And why feminists have welcomed this subversive piece of trash ‘art’ into their collective bosom? Whatever the reason, Nekromantik 2 stands as one of the most provocative ‘horror’ movies…” Carl T. Ford, Unrated: Cinema of the Extreme

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” …uses its comparatively epic running time for a more ambitious and densely-textured narrative. While the corpse scenes are naturally gruesome, there’s a strong surrealist sensibility at work that keeps it more curious than repellent. Apart from the aforementioned seal scene, a depressing and ill-advised attempt to outdo the bunny footage from the original film, Buttgereit strangely avoids any graphic bloodshed or nasty latex dismemberments for most of the running time. Of course, he’s really just saving it up for the powerhouse finale, which amazingly outdoes the Daktari Lorenz’s “climax” from Nekromantik.” Nathaniel Thompson, Mondo Digital

 

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Buy Sex Murder Art: The Films of Jörg Buttgereit from Amazon.com | Amazon.co.uk

“The film tries rather badly to waver between porno-horror and the new wave, like some mutant offspring of Living Doll (1989) and Jules et Jim (1964), even throwing in a witless parody of My Dinner with Andre, though the exploitation bases are tackily covered with surprisingly elaborate H.G. Lewis-style gore and found footage, ranging from seal-autopsies on video to the hardcore that Reeder is seen to be dubbing.” Phil Hardy (editor), The Aurum Film Encyclopedia: Horror 

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Buy Nekromantik Limited Edition Blu-ray from Amazon.co.ukAmazon.com

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Wikipedia | IMDb


Ghoulies

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‘They’ll get you in the end!’

Ghoulies is a 1984 US comedy horror movie. It was to be directed by Charles Band, with special effects by Stan Winston (the two had previously collaborated on Parasite) but ended up being directed by Luca Bercovici with special effects by John Carl Buechler and his company Mechanical and Makeup Imageries Inc. It was released theatrically by Empire Pictures in March 1985 and was a surprise success on home video thus spawning three sequels. The film’s original title was Beasties.

The film stars Peter Liapis (The Stepdaughter), Lisa Pelikan, Michael Des Barres, Jack Nance, Scott Thomson, RalphSeymour, Mariska Hargitay. Bobbie Bresee (Mausoleum; Evil Spawn) has a minor role as a temptress.

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Buy Ghoulies + Ghoulies II on Blu-ray from Amazon.com

Reviews:

You’d think that by saving their appearance for the 3rd act that they’d go all out, but instead we get one attack by a clown doll of some sort (with a Ghoulie inside it), a couple of dwarfs, and even a full grown woman with a giant tongue, who turns out to be the real (hey wait a minute, did Dream Warriors actually rip this movie off?). Said villain is actually our hero’s father, who tries to kiss his son for some reason I wasn’t interested in exploring. Even when it seems like they’re about to do something cool, they don’t – there’s a scene where everyone has gathered for a dinner party, and the Ghoulies are actually SITTING ON THE TABLE, but no-one notices them, because they all have sunglasses on.” Horror Movie a Day

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“The script for Ghoulies, written by Luca Bercovici and Jefery Levy, does contain a few instances of cleverness (it’s brimming with movie references, from Rosemary’s Baby to The Ten Commandments), but there’s just not enough here to warrant a recommendation. How this managed to spawn three sequels is beyond me, though the ghoulies themselves are enjoyably campy.” Reel Film Reviews

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“The set design is wonderful, with the Graves Estate looking suitably overgrown and creepy, but with a refreshing Beverly Hills feel that sets it apart from your average Scooby Doo haunted house. There aren’t a lot of stand-out kills to comment on, but the bit with the clown doll is definitely one of the coolest sequences in the film.” Adventures in Poor Taste

IMDb


Extraterrestrial (2014)

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‘They do not come in peace’

Extraterrestrial is a 2014 US sci-fi horror film that was directed by Colin Minihan, based on a script by both Vicious Brothers (Grave Encounters and its sequel). It was previously known as The Visitors.

The film stars Brittany Allen (Dead Before Dawn 3D), Freddie Stroma and Melanie Papalia (Blade: The Series) as a group of friends that must defend themselves against an alien onslaught. Genre regular Michael Ironside (Scanners; Watchers; Abysm) has a cameo role.

The movie had its world premiere on April 18, 2014 at the Tribeca Film Festival under the banner of IFC Midnight.

Plot teaser:

Hoping to spend a romantic weekend in the woods at her parents’ cabin, April (Brittany Allen) is dismayed when her boyfriend Kyle (Freddie Stroma) invites his friends to party in the woods. As the group settles into the secluded location, they discover that a UFO has crashed nearby and that they are being observed by one of the craft’s survivors.

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They end up attacking and killing the alien, which prompts a series of counterattacks by its crew mates…

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Buy on Signature Entertainment Blu-ray | DVD from Amazon.co.uk

Reviews:

Overall, Extraterrestrial looks pretty good: the camera and lens work look significantly better than the budget suggests, the CGI is impressive, and white light spills from flashlights and windows like thick white gauze … Of course, the brothers splice found footage-style bits throughout the film, for reasons that remain indiscernible, and these scenes naturally look awful. More than that, they don’t add anything of value…” Greg Cwik, Indiewire

“There are moments here and there in Extraterrestrial suggesting a touch of self-awareness that they’re treading on well-traveled ground—but being self-aware about these clichés doesn’t change the fact that they’re clichés.” Michael Gingold, Fangoria

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“Unfortunately, its attempt to be scary fails because it never plays with the psyches of its characters. Nobody in the movie’s world believes these kids, yet the viewer knows immediately that the aliens are real, which kills… no… destroys any suspense. Instead, we’re forced to endure a plethora of fake jump scares.” Bloody Disgusting

” …plays like pretty standard slasher fare. It’s in the final act that the pic becomes more ambitious and interesting, though not quite enough to lift the whole from decent-time-filler status to something more inspired. Like the duo’s prior “Grave Encounters” movies, this is a well-crafted, watchable genre effort short on novel ideas and distinctive dialogue/character writing.” Dennis Harvey, Variety

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“Unfortunately, once “Extraterrestrial” finally delivers its most emotionally draining scene, it keeps right on going. Thankfully, these are some of the film’s most visually impressive sequences. But by this point, Minihan and Ortiz’s lack of discipline, and frequent cribbing from just about everything, including The Matrix and Alien, has worn away a lot of good will. There’s a lot to like about Extraterrestrial, but not enough to leave you completely satisfied.” Simon Abrams, RogerEbert.com

” … the Brothers simply recycle the staples without any smarter purpose – there’s even a cabin in the woods, but just a plain old non-ironic, pre-Cabin in the Woods cabin in the woods. It’s all about as pleasurable as the inevitable alien anal probe. Extra-terrible, more like.” Jonathan Romney, The Guardian

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Wikipedia | IMDb

Posted by WH


Jaws of Satan aka King Cobra

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‘Something you wouldn’t dare to imagine is alive!’

Jaws of Satan – originally titled King Cobra – is a 1981 US horror film directed by Bob Claver from a screenplay by James Callaway and Gerry Holland. It stars Fritz Weaver (Nightkill; Creepshow; Friday’s Curse), Gretchen Corbett (Let’s Scare Jessica to Death), Jon Kork, Norman Lloyd (1995: The Omen), Diana Douglas, Bob Hannah, Nancy Priddy and Christina Applegate. The film was photographed by Dean Cundey (Halloween; The Fog; Psycho II).

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Plot teaser:

A preacher whose ancestors were cursed by Druids battles Satan, who has taken the form of a huge snake…

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Buy Empire of the Ants + Jaws of Satan on Scream Factory Blu-ray from Amazon.com

Reviews:

‘See, THIS is how you work a motive into a horror movie – you use a creature that already has occult related significance (the serpent!), and chalk it up to Satan. Not a silly revenge mission like in Jaws 4. Also, the priest has lost his faith, making this the rare Jaws/Exorcist ripoff hybrid.’ Horror Movie a Day

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‘It’s like a who’s who of movie clichés. I don’t want to complain too much about the clichés though because it’s when then the movie decides to get creative that it really humps the daggit. As dumb as everything is throughout the course of the movie (the list of offences goes on and on) it’s toward the end when we really fall into an almost abstract experience with weird shoehorned dubbing, people appearing in two places at once or out of nowhere and a climax that plays out like a battle between man and mop handle.’ Kindertrauma

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Jaws of Satan doesn’t consistently deliver on any level. As a bad movie, it’s simply bad in a dull way: none of the performances are particularly noteworthy (save for an early appearance by a young Christina Applegate), nor is the film particularly exciting in a trashy manner. Unlike many of the films in Jaws’s wake, this one doesn’t lean on an abundance of schlock, which would be an admirable approach if it had much else going for it.’ Oh, the Horror!

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Buy Jaws of Satan ceramic mug from Amazon.co.uk

‘Terrible killer snake movie … awful Neanderthal special effects … a wretched wreck filmed in Alabama.’ John Stanley, Creature Features

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Buy metallic A4 poster (main image) from Amazon.co.uk

IMDb



Bordello of Blood

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Bordello of Blood – also known as Tales from the Crypt Presents: Bordello of Blood – is a 1996 comedy/horror film starring Dennis Miller, Erika Eleniak, Angie Everhart, Corey Feldman and Chris Sarandon. The movie is based on the HBO television series Tales from the Crypt.

Release:

Plot teaser:

Vincent (Phil Fondacaro) and his associates explore a forest, until they find a cave containing a coffin with the skeleton of Lilith, mother of all vampires. Vincent takes a box out of his pocket, which contains the four sections of her heart. He puts it in her body, and she rapidly begins reanimating. Revived, she rips the hearts out of the associates and goes after Vincent, who produces the key artifact seen in Demon Knight. Vincent then explains that the artifact from “Demon Knight” and the blood within it allows him to have full control over her. Vincent then turns to Lilith and asks her if he allows her to eat the last associate would she then behave. She replies “Anything for you, lover”.

The Crypt Keeper is having lunch with the Mummy (William Sadler), who is boring him about film industry life. The Mummy challenges the Crypt Keeper to a contest of rock, paper, scissors which the Mummy wins, and he slices off the Keeper’s hand with a meat cleaver. Laughing, the Crypt Keeper addresses the audience, and the story continues.cryptkeeperbanner

Catherine Verdoux (Erika Eleniak) lives with her delinquent brother Caleb (Corey Feldman). He goes out one night against her wishes and, while hanging at a bar, is informed of a secret brothel in the guise of a funeral home. Caleb and a friend go to check it out, where they do indeed find the information true (albeit forced by the mortician McCutcheon (Aubrey Morris). Unknown to them however, it’s run by the fully regenerated Lilith (Angie Everhart). All the women there are vampires turned by Lilith, completely evil, lustful and subservient to her…

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Reviews:

“The film works because it doesn’t take itself seriously at all. At one point Guttman says that he feels he is in a bad Tales from the Crypt episode. There is a marvellous slaughter of vampires with water pistols and super soakers (obviously filled with holy water) that, despite being very similar to From Dusk Till Dawn which was released in the same year, really works well probably due to the fact that the soundtrack cuts into ‘Ballroom Blitz’.” Taliesin Meets the Vampires

“The latest feature spinoff from the campy HBO horror-comedy series is another cheesy goulash of smart-alecky humor and full-bore gore, spiced with more shots of topless lovelies than you’d find in a ’60s sexploitation flick. Adolescent boys might groove to the mix, but most other ticketbuyers will avoid this tawdry opus like the plague.” Joe Leydon, Variety

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“The big themes in this lackluster second feature under the “Tales From the Crypt” banner are sex and religion. Both are presented with painfully sophomoric irreverence. Sex appears in the form of many women with bare breasts and repeated references to sex acts, some downright kinky. The religious angle involves a born- again Christian preacher and his determination to use vampire women to lure sinners to their deaths.” Peter Stack, San Francisco Chronicle

Bordello of Blood is a joyous comedy and gorefest with a gungho cast, a fun story, and some really great effects gags.” The Girl Who Loves Horror

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“Triple the length of its cable television inspiration, Tales from the Crypt Presents Bordello of Blood is triple the gore, triple the naked women, but not, alas, triple the fun. Comic takes on vampires have been done better, less bloodily and with more clothing, but always without the benefit of a wildly popular franchise like this HBO series.” Richard Harrington, Washington Post

“If you’re craving a strong story and drawn out characters, look elsewhere. If you’re in the mood for some good laughs, a couple of creamy tits, lots of zany (and well done) visual effects, some quirky side characters, a midget, some hints of lesbianism (always a good thing), lots of ketchup, a holy water squirt gun vampire massacre, Angie Everheart looking like my last solo fantasy and Corey Feldman making an ass of himself, this is the right whore house to smuggle into.” Arrow, Joblo.com

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Cast:


Demon Knight

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‘Ready for your deadtime story?’

Demon Knight – also known as Tales from the Crypt Presents: Demon Knight – is a 1995 American horror film directed by Ernest Dickerson and is an offshoot from the HBO television series Tales from the Crypt. It stars Billy Zane, William Sadler, Jada Pinkett Smith, Brenda Bakke, CCH Pounder, Dick Miller and Thomas Haden Church.

The Universal release was followed by Bordello of Blood; although it is not a direct sequel, the key artefact from this film makes an appearance.

Release:

On October 20, 2015, Demon Knight is released on Blu-ray in the US by Scream Factory.

Plot teaser:

On a film set, The Crypt Keeper directs an instalment of the television show despite his disapproval of the lead actor’s talent. Upon becoming aware of the viewer, he proffers his latest project, which he hopes will get him into Hollywood: Demon Knight.

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On a New Mexico desert road, The Collector pursues drifter Frank Brayker. The vehicles crash, and Brayker flees. Local drunk Uncle Willy takes him to a decommissioned church converted into a boarding house, where he rents a room and observes the residents: owner Irene, prostitute Cordelia, postal clerk Wally, and an itinerant convict on work release named Jeryline. A misogynistic cook named Roach arrives and informs the group about a theft attempt on his employer’s car, unaware it was Brayker, and a suspicious Irene calls the sheriff…

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Billy Zane as The Collector

Reviews:

“Under the lively direction of lenser-turned-helmer Ernest Dickerson, Demon Knight basically is an extended cat-and-mouse game, propelled by alternating currents of splatter-pic gore and jet-black humor. But pic is neither funny enough nor scary enough to be fully satisfying as either a shocker or a spoof.” Variety

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“What Tales from the Crypt does best is sustain a look and tone that bring a comic-book’s broad strokes into the realm of a live-action movie without seeming too mannered or arty. The film’s gooey monsters with their electric green eyes and ferocious voracity are among the more convincing zombie demons to be found in a recent horror film. The movie wears a phosphorescent grin.” Stephen Holden, The New York Times

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“Director Ernest Dickerson, who abandoned an impressive career as Spike Lee’s cinematographer to make movies such as this and Surviving the Game, makes sure that the splatter effects come frequently enough to rescue the faltering narrative. His work is competent, though he doesn’t provide the kind of jolts a movie like this needs to keep audiences engaged.” David Kronke, Los Angeles Times

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” …. a slime-and-gore fest that offers little but a few outrageous sick jokes and the chance to make a mental list of all the horror movies from which it borrows.” Walter V. Addiego, San Francisco Examiner

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“The gore is frequent and generous, including an unforgettable image of Brayker dying while a pack of demons makes a juicy buffet from his eviscerated guts. The movie isn’t particularly well-paced, and I found it dull. But I’ve got to give credit to Todd Masters, who designed the special-effects makeup, to Gilbert Adler, who directed the Crypt Keeper sequences, and to Zane, who plays the Collector with style and wit. If I were 12, I might’ve loved it.” Edward Guthmann, San Francisco Chronicle

Cast:

Choice dialogue:

“Ooh, just thinking about it gets me all hot and squishy.”

“I know. Who makes up all these rules?”

Wikipedia | IMDb


What Have You Done to Solange? [updated with German ‘krimi’ trailer]

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What Have You Done to Solange? – original title: Cosa avete fatto a Solange? – is a 1972 Italian-West German giallo-krimi thriller film directed by Massimo Dallamano (Dorian Gray; What Have They Done to Our Daughters?; The Cursed Medallion) from a screenplay co-written with Bruno Di Geronimo. The film is very loosely based on the Edgar Wallace mystery novel The Clue of the New Pin. It features a score by Ennio Morricone (A Lizard in a Woman’s Skin).

Main cast:

Fabio Testi (Rings of Fear), Karin Baal (Dead Eyes of LondonThe Monster of Blackwood Castle), Joachim Fuchsberger (The College Girl Murders; The Hand of PowerThe Fan/Trance), Cristina Galbó (The House That ScreamedLet Sleeping Corpses Lie), Camille Keaton (I Spit on Your Grave), Günther M. Stoll (The Hunchback of Soho; The Bloodstained Butterfly).

Plot:

A sadistic killer is preying on the girls of St. Mary’s Catholic school. Student Elizabeth witnessed one of the murders, but her hazy recollections of a knife-wielding figure in black do nothing to further the police’s investigations. Why is the killer choosing these young women? And what does it have to do with a girl named Solange?

On 14th (UK) and 15th (US) of December 2015, Arrow Video release the film on Blu-ray + DVD with the following features:

  • Brand new 2K restoration of the film from the original camera negative
  • High Definition Blu-ray (1080p) and Standard Definition DVD presentations
  • Original Italian and English soundtracks in mono audio (uncompressed PCM on the Blu-ray)
  • Newly translated subtitles for the Italian soundtrack
  • Optional English subtitles for the deaf and hard of hearing for the English soundtrack
  • Brand new audio commentary with critics Alan Jones and Kim Newman
  • Newly filmed cast interviews
  • Original Theatrical Trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Malleus – http://www.malleusdelic.com (to be revealed)
  • Booklet featuring brand new writing on the film, illustrated with original stills

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Reviews:

“The film offers some truly oddball red herrings, sumptuous ‘scope cinematography (courtesy of Aristide Massaccesi aka Joe D’Amato), cheesy subjective camera shots from the killer’s point of view, Morricone’s classy score (alternating between a sanguine main theme and some atonal jazz pieces), authentic London locations and a truly sordid plot … Solange is a great giallo.” Adrian J Smith, Horrorpedia

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What Have You Done to Solange? is a fairly accomplished film that should keep even the most hardened of giallo fanatics guessing until the very end and is worth watching. Indeed, the contrast between rural scenery and violent murder creates interesting images of life and death, and the film is not a simple compilation of murders, a trap that some of the more simplistic gialli fall into.” Flickering Myth

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” … director/co-writer Massimo Dallamano opted to tell a coherent story and flesh out his characters, so as a result he doesn’t spend much time on nonsense or drawn out kill scenes. It’s got the random misogyny and gratuitous nudity you’d expect (including a hilarious bit where the cop says “The girls are under surveillance” and then Dallamano cuts to a peeping tom watching the girls shower), but if you go in expecting Argento-y kill scenes you might leave disappointed.” Horror Movie a Day

“In the first half of the film themes of innocence and purity are woven into the fabric of the narrative, and are then subverted in an ironic counterpoint at the conclusion. The film is full of little ironies, and it is able to alight on moments that seem inconsequential because of an incredibly patient and careful method of storytelling.” Shaun Anderson, The Celluloid Highway

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“The murder scenes are sometimes beautiful and very stylized in their execution, usually from the point of view of the killer and never really shows much of their body, so it could be either male or female. The film is bloodless in a beautiful way, able to show the brutality of each act without getting overly graphic. The female nudity – and there’s quite a bit – also does not feel that graphic, but rather natural and normal for each situation that it shows up in.” The Girl Who Loves Horror

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” … one of the few films of this type that deftly combines sleaze, murders with disturbing sexual components, a whodunit plot, gorgeous cinematography, and characters that actually have depth. And unlike some giallo flicks, it actually makes sense in the end. As icing on the cake, the soundtrack to Solange is among Ennio Morricone’s best work for this style of movie.” Horror Fan Zine

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Cast and Characters:

Fabio Testi … Enrico ‘Henry’ Rosseni
Karin Baal … Herta Rosseni
Joachim Fuchsberger … Inspector Barth
Cristina Galbó … Elizabeth Seccles (as Christine Galbo)
Camille Keaton … Solange Beauregard
Günther M. Stoll … Professor Bascombe
Claudia Butenuth … Brenda Pilchard
Maria Monti … Mrs. Erickson
Giancarlo Badessi … Mr. Erickson
Pilar Castel … Janet Bryant
Giovanna Di Bernardo … Helen Edmonds
Vittorio Fanfoni … Enrico’s friend
Antonio Casale … Mr. Newton (as Antony Vernon)
Emilia Wolkowicz … Ruth Holden (as Emilia Wolkowich)
Daniele Micheletti … Mr. Bryant
Rainer Penkert … Mr. Leach, the headmaster
Carla Mancini … Susan, girl in Enrico’s class
Antonio Anelli … Father Herbert
Joe D’Amato … CID officer w / The Daily Telegraph (uncredited)

Filming locations:

Shot in London, England, over the course of six weeks in the autumn of 1971.

Trailer:

German ‘krimi’ trailer:

Previous releases:

When submitted for a UK cinema release as Solange by Meteor Films it was rejected by the BBFC. It was eventually released in the UK on the Redemption video label in 1996 after 2 minutes 15 secs of cuts to edit the bath murder, and heavily reduce shots of nudity and knives between victim’s legs and knees.

The 2002  “uncut” DVD has some scenes in the still and artwork gallery that are not shown in that 2002 video release. These include: more nude shots of Elizabeth’s body (Cristina Galbó); a scene of a topless Solange (Camille Keaton) being visited by the unidentified killer which is very crucial to the plot; the shower scenes are cropped so that the schoolgirls are only shown topless. This does not necessarily mean that those scenes were actually included in the original theatrical release print, so the DVD could be “uncut”.

Alternate titles:

  • Das Geheimnis der grünen Stecknadel (Germany)
  • Solange (UK)
  • Terror in the Woods (USA)
  • The School That Couldn’t Scream (USA)
  • The Secret of the Green Pins (USA)
  • What Have They Done to Solange? (USA)
  • What Have You Done to Solange? (UK)
  • Who Killed Solange?
  • Who’s Next? (UK)
  • ¿Qué habéis hecho con Solange? (Spain)
  • Que Fizeram a Solange? (Portugal)
  • O Que Fizeram a Solange? (Brazil)
  • ¿Qué hicieron con Solange? (Argentina)
  • ¿Qué le han hecho a Solange? (Peru, Venezuela, Colombia)

Wikipedia | IMDb


The Unseen

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The Unseen is a 1980 American horror film directed by Danny Steinmann [as Peter Foleg] from an [uncredited] screenplay by Michael L. Grace. Director Steinmann, who later directed gory movies Savage Streets and Friday the 13th: A New Beginning, apparently fell out with the producers during post-production, hence the use of a pseudonym.

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The story was co-devised with special effects creators Stan Winston and Tom Burman, plus Texas Chain Saw Massacre co-writer Kim Henkel. Craig Reardon (Eaten Alive; The Funhouse; Poltergeist) supplied the makeup for the monster.

Main cast: 

Barbara Bach (Short Night of Glass Dolls; Great Alligator River; Isle of the Fishmen), Sydney Lassick (Carrie; Alligator; Lady in White), Karen Lamm (Ants), Doug Barr, Stephen Furst (Silent Rage), Lois Young, Leila Goldoni (Hysteria; Invasion of the Body Snatchers; The Devil Inside), .

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Plot:

After a hotel reservation mix up, two sisters Karen and Jennifer, and their friend Vicki Thompson, meet a friendly, but shady character named Ernest Keller who is the owner of a small town museum. Ernest convinces the three women to accept an invitation for cheap room and board at his farmhouse outside of town where his wife Virginia also lives.

Once there, Jennifer and Karen leave for a holiday parade fair which Jennifer, a news reporter, is reporting on.

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Meanwhile, back at the house, Vicki takes a bath and then a nap in her room, but is attacked by an unseen figure…

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Reviews:

“It plods along like a soap opera for large chunks, but then launches into an outrageous nudity scene that feels out of place. It does manage to build enough of a tone to keep us interested though and we do get a couple of creatively planned murder scenes.” Luisito Joaquín González, A Slash Above…

” … as long as you’re not looking for Steinmann’s usual Grindhouse-y approach, I think you’ll dig The Unseen. It’s a nicely paced suspense tale with two terrific villains and an offbeat tone that I quite admired.” Horror Movie a Day

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The Unseen is worth at least one viewing, if only for the terrifically insane scene in which Ernest Keller has a drunken conversation with his father’s dead, stuffed body. This guy should’ve won some kind of award for this movie.” Tower Farm Reviews

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” … a film full of character if not class, weirdly compelling performances and some third act developments which take the whole thing someplace hysterical, transgressive, and unforgettable.” Phil Nobile Jr., Birth. Movies. Death.

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The Unseen is quite lame, quite tame, and nearly bloodless … It’s hard to get past the similarities to other, better movies. It’s got more than a few things in common with Silent Scream, which came out around the same time but was at least a little more atmospheric, if not fantastic.” Groovy Doom

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“A sort of mash up of later flicks American Gothic and Humongous, The Unseen deserves to be seen; it’s an eighties slash-classic that offers as much campy fun as spooky chills.” Kindertrauma

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” … this is a strange, sometimes enthralling low-budget flick… takes one of the hoariest cliches of horror movies – the animalistic, “unseen” entity living in the cellar – and gives it a new sense of mystery, even compassion.” John Stanley, Creature Features

Release:

The film was released theatrically in the US by World Northal in September 1981. In the UK, Prism issued the film on DVD in 2002. In the US, Code Red issued it on DVD by in 2008 and a Scorpion Releasing Blu-ray followed in 2013.

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Cast and characters:

Choice dialogue:

Ernest Keller: “Nobody here but us chickens!”

Filming locations:

Santa Paula, Altadena and Piru, California

Trailer:

Wikipedia | IMDb | Image credit: Groovy Doom


She Killed in Ecstasy

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She Killed in Ecstasy is a 1970 West German-Spanish erotic horror thriller film directed by Jesús Franco. The production staff included many cast members and nearly the same crew as his previous film Vampyros Lesbos. The German title is Sie tötete in Ekstase.

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Cast:

Soledad Miranda, Fred Williams, Ewa Strömberg, Paul Muller, Howard Vernon, Horst Tappert, Jess Franco.

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She Killed in Ecstasy is currently available as a definitive uncut Severin Films Blu-ray in the US and UK. Extras include interviews with Jess Franco, Soledad Miranda historian Amy Brown, Stephen Thrower (author of Murderous Passion: The Delirious Cinema of Jess Franco); actor Paul Muller and the German trailer.

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Plot:

Dr. Johnson (Fred Williams) lives in bliss with his beautiful wife (Soledad Miranda) until his unorthodox experiments with human embryos causes a medical committee to reject his findings and orders him to discontinue his work. The unstable doctor slashes his wrists in the bathroom. Devastated, his wife vows to seduce and kill the woman and three men “responsible” for the suicide…

Reviews:

Jess Franco’s direction here focuses almost solely on the undoubted screen presence of Soledad Miranda is all the better for it. The revenge and necrophilia-themed lost soulmate storyline, which borrows elements from the director’s previous films The Diabolical Dr. Z  and Venus in Furs, was clearly cobbled together solely to use her obvious acting talents.

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Yet, despite little dialogue, Miranda conveys vengeance and female fury with merely her eyes. Elsewhere, the director’s own masochistic demise, at the hands of his lead actress is, as Stephen Thrower suggests in an interview extra, perhaps the sole reason for the film’s existence!

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Thankfully, its only right at the end of the slim Sadean plot that Franco overreaches himself with a montage of seemingly endless images of Miranda that slightly smacks of overkill.

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Elsewhere, the lack of a dynamic narrative is compensated for by some delightfully kitsch architecture, interior decoration and fashions such as an ornate metal bra, and fetishistic imagery such as when Ewa Strömberg’s naked character is smothered to death with a plastic see-thru pillow after a lesbian romp with Miranda.

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Hubler and Schwab’s upbeat sitar-tinged easy listening score is sometimes out of kilter with what’s happening on screen, e.g. Fred Williams character Dr. Johnson committing suicide, so was presumably used as it was available rather than being composed for this film and Vampyros Lesbos. But that’s a minor quibble as it’s excellent in itself and provides a memorable musical juxtaposition that fits the odd ambiance.

If you’re already a fan of Jess Franco’s delirious late 60s/early 70s oeuvre, the uncut and gorgeous looking Severin Blu-ray restoration is a must-have purchase.

Adrian J Smith, Horrorpedia

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“Actress Soledad Miranda’s physical presence alone brings an atmosphere of mysterious eroticism and melancholy to the film that is seldom to be seen in Franco’s other work… a straight “star vehicle” built around Miranda.” Peter Blumenstock, Obsession: The Films of Jess Franco

“For a film filled with nudity, strange decor and kitschy muzak Sie tötete in Ekstase is a downbeat, depressing affair. Even the presence of the lovely Soledad Miranda fails to revive the tortured, repetitive plot. The film overflows with death and thwarted desire… Sie tötete in Ekstase is deadly serious. Too serious to be entertaining.” Pete Tombs, Cathal Tohill, Immoral Tales: European Sex & Horror Movies, 1956-1984

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“Manuel Merino’s photography focuses solely and seductively upon Miranda, as she seduces the film’s characters. Franco’s compositions are a little too clean for my tastes and too formal, as if he doesn’t want to taint the beauty of Miranda. Numerous close-ups of her face and hypnotic eyes fill She Killed in Ecstasy, as Miranda is often able to portray her descent into madness and despair through only the windows into her soul.” Hans A., Quiet Cool

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Cast and characters:

Trailer:

Wikipedia | IMDb


The Hallow (2015)

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‘Nature has a dark side’

The Hallow – originally titled The Woods  is a 2015 horror film directed by Corin Hardy from a screenplay co-written with Felipe Marino. A British-Irish co-production filmed in Ireland, it premiered at the 2015 Sundance Film Festival on 25 January 2015.

The film contains an homage to the infamous splinter-in-the-eye scene in Lucio Fulci’s Zombie Flesh Eaters. A US Scream Factory Blu-ray is released on April 5, 2016.

Main cast:

Joseph Mawle, Bojana Novakovic, Michael McElhatton, and Michael Smiley.

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Reviews:

“The accelerating action becomes something of a horror orgy as the woods cough up a frightening array of creatures, and threats to the family come from all sides, including within. But audiences are unlikely to mind the overload given that the stakes remain high and the tension never flags in a film that delivers almost non-stop scares through most of its second half.” David Rooney, The Hollywood Reporter

“At the film’s best, it’s a pale imitation of Straw DogsThe Evil Dead, or The Descent; at its worst, it’s a point-and-awe celebration of mundanity. And that’s a shame because not only is the film shot to perfection, thanks to cinematographer Martijn van Broekhuizen, but it’s also capitalizing on an intriguing blend of genres that sparingly co-exist today.” Michael Roffman, Consequence of Sound

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” … a feature-length excuse for promising director Hardy … The production embraces a thrilling mix of practical effects, animatronics, puppetry and prosthetics along with subtle CG enhancements to create a vivid collection of nightmarish fiends (dubbed fairies, banshees and baby snatchers by the locals).” Geoff Berkshire, Variety

The Hallow is relentless when the creatures come after Adam, his wife and his baby. They just keep coming and break through every barricade, poke through every keyhole. Big loud jump scares are backed up by first rate creature design and staging of the attacks.” Bloody Disgusting

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The Hallow bravely puts its monsters front and centre, but does an effective job of building up to their appearance to a degree sufficient enough for us to accept them without unintentional laughter. The old-school effects bring these fanged fairy folk to life in a way CG simply can’t.” Eric Hills, The Movie Waffler

“The use of Irish lore makes for a change of pace in what is still basically a cabin-in-the-woods picture, though the hallow themselves owe more to recent fright-flick fiends like the crawlers of The Descent or the feral vampires of Stakeland than authentic Celtic myth. Still, they are effectively used for jump scares…” Kim Newman, Empire

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Trailer:

Wikipedia | IMDb

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The Guardian (1990)

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The Guardian is a 1990 American supernatural horror film co-written and directed by William Friedkin (Jade; Bug) from a screenplay co-written with Stephen Volk (Gothic; The Kiss; Ghostwatch) and Dan Greenburg.

Based upon the novel The Nanny by Dan Greenburg, the film was produced by Joe Wizan (Audrey Rose; Dark Night of the Scarecrow; Spellbinder).

It stars Jenny Seagrove as a mysterious nanny who is hired by new parents, played by Dwier Brown and Carey Lowell, to care for their infant son; the couple soon discovers the nanny to be a Hamadryad whose previous clients’ children went missing under her care.

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Director Sam Raimi (The Evil Dead) was originally attached to the project before dropping out to direct Darkman instead. Heavily marketed as director Friedkin’s first foray into the horror genre since 1973’s The Exorcist, the film had a troubled production, with script undergoing numerous changes that continued well into the shooting process.

A cable television version of the film was credited to “Alan Von Smithee”, indicating that Friedkin wished to disassociate himself from its release.

On January 19, 2016, the film was released in the US on Blu-ray by Shout! Factory with the following special features:

    • A Happy Coincidence – An Interview With Actor Dwier Brown
    • From Strasberg To The Guardian – An Interview With Actor Gary Swanson
    • A Mother’s Journey – An Interview With Actress Natalija Nogulich
    • Scoring The Guardian – An Interview With Composer Jack Hues
    • Tree Woman: The Effects Of The Guardian – An Interview With Makeup Effects Artist Matthew Mungle
    • Return To The Genre – An Interview With Director/Co-writer William Friedkin
    • The Nanny – An Interview With Actress Jenny Seagrove
    • Don’t Go Into The Woods – An Interview With Co-writer Stephen Volk
    • Still Gallery Of Behind-The-Scenes Photos

Plot:

Ancient druids worshiped trees, sometimes offering them human sacrifices. Some of these trees were connected with evil.

At the Sheridan home, Molly and Allan Sheridan head off on a trip, leaving their two children in the care of their nanny, Diana Julian. Once alone and with the children sleeping, Diane kidnaps the daughter. Molly realises she left her glasses at the house, and upon returning she sees that her daughter is missing. Diana, out in the forest, approaches a giant, old, gnarled tree, and holds up the baby, which then disappears from her hands. The roots of the tree show the baby’s face, as it has been sacrificed to keep the tree alive. As Diana sits on the ground near a pool of water, her reflection disappears, leaving that of a growling wolf…

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Reviews:

” … bolts headlong into the thickets of standard horror film cliches: ominous music, curtains blowing in the wind, empty baby cribs, dire warnings from strange women, manifestations of savage canines, and the lot.” RogerEbert.com

“The film was masterfully shot, sported some strong horror scenarios, was weird/eerie in a good way, had glorious effects/gore and put out a bad girl to be reckoned with in Camilla. Unfortunately, the flick had an awkward flow, was weak sauce with its WHO, HOW, WHY, and didn’t flesh out or focus on its protagonists enough (specially the wife).” Arrow in the Head

The Guardian is balls out ridiculous almost right from the start, and its 90 minute running time doesn’t leave much room for character development or slow burn chills. Hell, our first kill comes almost completely out of nowhere…” Horror Movie a Day

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“The problem with The Guardian is that though all the ingredients are there, they fail to come together in the final mix. The demonic nanny sent to ‘look after’ the child (complete with savage dogs to back her up), is straight from The Omen (1976), whilst a tree whose roots do its dirty work is reminiscent of the infamous vegetation attack from The Evil Dead…” Cleaver Patterson, Cine Vue

“It has a certain degree of silliness, but the violence (which is very blood and graphic, nice gore!) and general nastiness of the story is something Raimi never would touch. This is a crazy motherfucking killer-tree movie for a mature gore-seeking audience, with lots of nudity and a very nice and subtle reference to Day of the Triffids.” Ninja Dixon

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Cast and characters:

  • Jenny Seagrove as Camilla Grandier/Diana Julian
  • Dwier Brown as Phil Sterling
  • Carey Lowell as Kate Sterling
  • Brad Hall as Ned Runcie
  • Miguel Ferrer as Ralph Hess
  • Natalia Nogulich as Molly Sheridan
  • Pamela Brull as Gail Krasno
  • Gary Swanson as Allan Sheridan
  • Jack David Walker as Punk #1
  • Willy Parsons as Punk #2
  • Frank Noon as Punk #3
  • Theresa Randle as Arlene Russell
  • Xander Berkeley as Detective
  • Ray Reinhardt as Dr. Klein
  • Jacob Gelman as Scotty Sheridan

Filming locations:

Los Angeles, Santa Clarita, Valencia California

Trailer:

Wikipedia | IMDb

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Ghoulies II (1988)

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‘Just when you thought it was safe to go back in the bathroom…’

Ghoulies II – aka Ghoulies 2 – is a 1988 American supernatural comedy horror film directed by producer Charles Band‘s father, veteran Albert Band (I Bury the Living; Zoltan, Hound of Dracula; Doctor Mordrid). The screenplay by Dennis Paoli (Re-Animator; From Beyond; The Dentist) was based on a story by Charlie Dolan.

Main cast:

Damon Martin (Freddy’s Nightmares; Amityville: It’s About Time), Royal Dano (Messiah of EvilHouse II; The Dark Half), Phil Fondacaro (Hard Rock Zombies; Monster High; Night Angel), J. Downing and Kerry Remsen (Appointment with Fear; Pumpkinhead; After Midnight).

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Plot:

The ghoulies from the first film escape the manor and end up hiding in an amusement park funhouse called “Satan’s Den” which becomes a smash hit when visitors believe the little demons are part of the attraction – that is until people start falling victim to the evil creatures…

Reviews:

Ghoulies II‘s sense of humor is equal parts diabolical and campy … The sense of community among the carnies is a blast when they take the fight to the creatures, and the Evil Dead II-style cure-is-worse-than-the-disease climax is right up my alley.” Adam Tyner, DVD Talk

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“This movie is a ton of fun, encapsulating everything that makes ‘80s horror so endearing. First off, the ghoulies are back and indeed better than ever. Buechler’s FX are more refined, with increased movement and better sculpting evident on ghoulies new and old. The use of stop-motion in a few key scenes also allows for a greater range of activity and mischief.” Anthony Arrigo, Dread Central

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Ghoulies II takes itself less serious and really finds its stride in its last act. As soon as the little creatures take over the carnival and its rides, deadly mischief and mayhem unfold and hilarity ensues. I found the sequel more entertaining and lighthearted because it seemed like it wasn’t taking itself as serious as the original did.” Eric Shirey, Moviepilot

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” … more problematic than the ghoulies being so inert is how much time they spend on pointless “character development” for the supporting characters. The two main heroes – fine. But random other circus folk, some of whom we only see in said moments? Who the fuck cares? And none of it is particularly interesting anyway; its only purpose is to pad the film to an acceptable running time.” Horror Movie a Day

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Ghoulies II is an improvement on just about every level, including a soundtrack that features “Scream Until You like It” by W.A.S.P. OK, so “improvement” might not be the right word — it’s still quite bad — but at least it’s self-aware enough to be entertaining in its badness.” Adam Frazier, Geeks of Doom

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” …production values alone do not a great movie make and the truth is that Ghoulies II shows very little sign of life until around an hour in… Peter Manoogian, Empire of the ‘B’s: The Mad Movie World of Charles Band

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Buy Empire of the ‘B’s from Amazon.co.ukAmazon.com

Filming locations:

Empire Studios, Rome, Lazio, Italy

Trailer:

“Rats” clip:

Toilet clip:

IMDb


Transformations (1988)

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Transformations – aka Alien Transformations – is a 1988 American sci-fi horror film directed by Jay Kamen from a screenplay by Mitch Brian (Night Screams; Presence of Mind).

On March 1, 2016, Kino Lorber release the film on Blu-ray in the US. Extras include:

  • Audio Commentary by Director Jay Kamen
  • Interview with Star Lisa Langlois
  • Interview with Director Jay Kamen

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Buy: Amazon.com

Main cast:

Rex Smith
Lisa Langlois – Deadly Eyes; The Nest)
Patrick Macnee – Incense for the Damned; The Howling; Lobster Man from Mars
Christopher Neame – Lust for a VampireDracula A.D. 1972; Species III
Michael Hennessy
Cec Verrell
Benito Stefanelli
Donald Hodson
Pamela Prati
Ann Margaret Hughes
Loredana Romito

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Plot:

In the furthest reaches of the galaxy, a lone transport pilot, Wolfgang Wolf Shadduck (Rex Smith), locks in his destination, switches onto automatic pilot and retires for the night. Little does he know that events will soon steer him onto a collision course with gruesome horrors of Transformations where a horrifying evil lurks behind seductive facades.

When Wolf awakens from a nightmarish slumber, he finds himself in the hospital ward of a prison colony; his ship has crashed with its cargo intact. Soon, he finds himself gripped with a grotesque and mysterious disease that transforms him into a horrendous beast and only the purity of the beautiful Miranda (Lisa Langlois) stands between the deadly disease and the rest of mankind…

Reviews:

“Unfortunately, the whole prison planet thing doesn’t really get explored much. Transformations is a low-budget affair, so while we get a look at a few hallways and some prisoners, there is a definite lack of scale … The love angle doesn’t work well at all, but it does lead to some fantastic moments of B-movie hilarity.” Will Kouf, Silver Emulsion

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” … Transformations holds off on the gooey, gory goods for much of its running time, making you wish Empire had recruited Stuart Gordon to overhaul the script. By the time a man’s spine is ripped out in the last 10 minutes, it all feels like too little, too late. Patrick Macnee also tries his best as a priest fearing a plague, but even he can’t save this failure.” Alan Dorich, Letterboxd.com

“Ultimately, Transformations is way up there with Empire’s earlier Vicious Lips and Necropolis as an immediate requirement for all lovers of Z-flick endurance tests. Those without such masochistic tendencies should duck and cover , well away from this bomb.” Empire of the ‘B’s: The Mad Movie World of Charles Band

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Buy: Amazon.com | Amazon.co.uk

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Lisa Langlois chase scene:

IMDb | Image thanks: Video Museum


Cult Cinema: The Arrow Video Companion (book, 2016)

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Cult Cinema: An Arrow Video Companion is a 2016 hardback book published in the UK.

Exploring the stars, the filmmakers and the trends, Cult Cinema: An Arrow Video Companion approaches its subject from five angles. Each section is devoted to a different facet of cult filmmaking – the opening chapter features seven essays devoted to key cult movies, and is followed by those on directors, actors, genres (and sub-genres), and finally distribution, which examines how different methods of seeing a film, from travelling shows to DVDs, has allowed cult films and their audiences to flourish.

Arrow Video is one of the foremost distributors of cult cinema on DVD and Blu-ray. From the classic to the obscure, the Arrow Video collection encompasses all styles and genres: horror films and Westerns, science fiction and sex comedies, yakuza epics and neo-noirs, the subversive, the transgressive and the unclassifiable.

This hardback volume brings together twenty-five of the world’s leading genre experts and critics (including two Horrorpedia.com contributors) to guide you through the multi-faceted beast that is cult cinema.

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Buy: Amazon.comAmazon.co.uk

Featuring the writing of: Robin Bougie, Michael Brooke, Paul Corupe, David Del Valle, David Flint, Kevin Gilvear, Joel Harley, David Hayles, Pasquale Iannone, Alan Jones, Tim Lucas, Michael Mackenzie, Maitland McDonagh, Tom Mes, John Kenneth Muir, Kim Newman, James Oliver, Vic Pratt, Jasper Sharp, Cullen Gallagher, Kenneth J. Souza, Mike Sutton, Stephen Thrower, Caelum Vatnsdal, Doug Weir.

The book features an introduction by filmmaker Ben Wheatley (Kill List; Sightseers; High-Rise) and a cover illustration by artist Graham Humphreys.

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The Loreley’s Grasp aka When the Screaming Stops (1974)

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‘ You’ll eat your heart out!’

The Loreley’s Grasp is a 1974 Spanish horror film written and directed by Amando de Ossorio (Tombs of the Blind Dead; Demon Witch Child; The Ghost Galleon). The film’s original title is Las Garras de Lorelei and it was released in the US as When the Screaming Stops.

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Main cast:

Tony Kendall – Return of the Blind Dead
Helga Liné  – The Dracula Saga, Horror Rises from the Tomb, The Vampire’s Night Orgy
Silvia Tortosa – Horror Express
Josefina Jartin
Loreta Tovar – Curse of the Vampire
José Thelman – Tombs of the Blind Dead
Luis Induni – The Horrible Sexy Vampire; Dr. Jekyll vs. the WerewolfThe Werewolf and the Yeti
Javier de Rivera – The Awful Dr. OrloffNight of the Seagulls; A Dragonfly for Each Corpse)
Antonio Orengo (Frankenstein’s Bloody Terror, Tombs of the Blind Dead
Betsabe Ruiz – Werewolf Shadow, Horror Rises from the Tomb, Autopsy

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Plot:

The legendary shape-shifting Loreley has been living for centuries in a grotto beneath the river Rhein in Germany. Every night when the moon is full, she turns into a reptile-like creature that rips the hearts from its victims. After young women from a local boarding school are sacrificed, and then a blind violinist, a hunter named Sirgurd (Tony Kendall) is engaged to kill the beast…

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Release:

As was the practice, certain scenes were filmed a clothed and unclothed for different export markets.

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In the US, the film was initially released in 1976 as When the Screaming Stops, with the addition of red warning flashes preceding each gory murder.

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This US-edit was subsequently released to movie theaters in the early 1980s with artwork that implied it was a slasher film, rather than a monster movie, and then on VHS by Lightning Video. Patrons were issued with vomit bags.

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In November 2007, BCI released a remastered, uncut, 1.85:1 aspect ratio version on DVD in the USA.

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Buy: Amazon.co.ukAmazon.com

The film is available uncut, with a 16:9 – 1.77:1 aspect ratio, on a Unbekannt Blu-ray with English, German, and Spanish audio options, an image gallery and trailers.

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Buy: Amazon.co.uk

Reviews:

“Shot primarily in shaky POV, the Loreley’s killings are erratic and unexpected, as if to mimic the attack of a wild animal. Initially only the creatures encroaching hand is shown, but as more of the legend of Loreley is revealed, so is her lunar form, that of a green scaled reptilian, shrouded in a black cape.” Jason McElreath, DVD Drive-In

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“There are some really nice de Ossorio touches in the film – particularly, a scientist who is testing a moonlight machine and a radioactive knife to use against Lorelei (and the subsequent trashing of his his laboratory is awesome, too), and Lorelei’s underwater castle, complete with skull-adorned bikini servants.” The Brooklyn Cult of Mystic Horrors

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“What an extraordinary film. It’s not bad actually if you like 1970s Euro-horror: the acting’s passable (though the dubbing is risible) and the direction … is competent. The storyline is enjoyably daft and at least it’s original, rather than being yet another damn vampire / werewolf / mummy / horde of zombies. The monster is monstrous, the deaths are violent and bloody, and the pseudo-scientific explanation is complete hogwash of the highest order. Top stuff.” MJ Simpson

” … this is a lost fucking classic that is severely underrated and I think any horror fan worth his (or her) salt will find it an enjoyable ride. It’s fun, it’s bloody, it’s ridiculously easy on the eyes.” Jocelyn, The Church of Splatter-Day Saints

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“As with the Blind Dead films, Loreley offers a series of moody interludes between the gore scenes and exposition scenes. We see the seductive redhead  striding across marshlands on cloudy afternoons, siren song playing softy in the background. These scenes – heightened by earnest acting, creative direction, and tight editing – help make the picture very good for its kind.” David Elroy Goldweber, Claws & Saucers

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“The amphibious green slime monster with big teeth is more comical than frightening, and an eye-filling parade of curvaceous cuties in bikinis and other skimpy costumes will please males. But these facts don’t necessarily make a good movie…” John Stanley, Creature Features

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Trailer:

IMDb

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Laid to Rest (2009)

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Laid to Rest is a 2009 slasher horror film written and directed by special makeup effects artist Robert Green Hall (Teen Wolf [two episodes]; Fear Clinic).

A sequel, ChromeSkull: Laid to Rest 2, followed in 2011.

Main cast:

Bobbi Sue Luther [who also co-produced; Killer Pad; Night of the Demons], Kevin Gage (AmusementFear Clinic), Sean Whalen, Johnathon Schaech, Thomas Dekker, Nick Principe, Richard Lynch, Lena Headey.

Plot:

A young woman with amnesia breaks out of a coffin in a funeral home, and dials 911 in the morgue. The mortician appears, but is impaled by a man equipped with a chrome skull mask, and a shoulder mounted camera. The girl stabs ChromeSkull in the eye, and runs off while he treats his wound. The girl is picked up by Tucker, who takes her home to his wife Cindy, and promises her that they will go to the sheriff’s station in the morning, as Tucker’s truck is low on gas, and their phone service has been cut off…

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Buy: Amazon.com

Reviews:

” … ChromeSkull’s kills, proportioned out fairly evenly through the movie’s running time, are suitably bloody and vicious. Music is provided by the likes of Suicidal Tendencies and Deadbox, if that tells you anything about the tone of Laid to Rest. All in all, it’s an aggressive movie. The only drawback is that the movie contrives a lot of convenient coincidences to keep the plot rolling.” Justin Felix, DVD Talk

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“If anything will get people talking about Laid to Rest, it’s the gore. The gags that director Robert Hall—an FX guy in his own right—and his talented team of effects gurus concoct are both unique and revolting … There’s a lot more, each successive murder more gruesome than the one that preceded it and they’re all executed brilliantly.” David Johnson, DVD Verdict

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Laid to Rest does have some minor issues with pacing at first but really finds its stride about 30 minutes in and just keeps moving along until the very end. What I like here is that Hall was able to create a slasher film with characters we care about but definitely doesn’t take anything too seriously either, giving horror fans a movie that’s both entertaining and a lot of fun to watch.” The Horror Chick, Dread Central

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Buy: Amazon.co.uk

“After some of the most evocative and terrifying open credits of any movie, featuring both topless victims and a butchered torso, there’s no letup in Laid to Rest.” Death by Umbrella! The 100 Weirdest Horror Movie Weapons

Death by Umbrella The 100 Weirdest Horror Movie Weapons Christopher Lombardo and Jeff Kirschner book

Buy: Amazon.com | Amazon.co.uk

Cast and characters:

Trailer:

Wikipedia | IMDb | Facebook

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