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Synapse Films – Blu-ray and DVD label

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Synapse Films is an American DVD and Blu-ray label, founded in 1997 and specializing in cult horror, science fiction and exploitation films. It is owned and operated by Don May, Jr. and his business partners Jerry Chandler and Charles Fiedler; the catalyst being May’s longstanding interest in and passion for TV and cinema.

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The Synapse catalogue ranges from European horror touchstones such as Jess Franco’s Vampyros Lesbos, and Antonio Margheriti’s Castle of Blood, to important genre documentaries including Roy Frumkes’ Document of the Dead, from drive-in favourites such as The Brain That Wouldn’t Die to Japanese Pink films.

Blu-ray releases from Synapse Films include:

Basket Case 2

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Buy: Amazon.com

Basket Case 3: The Progeny

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Buy: Amazon.com

Countess Dracula

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Curtains

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Demons

Demons 2

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The Dorm That Dripped Blood

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Buy: Amazon.com | Amazon.co.uk

Embodiment of Evil

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Buy: Amazon.com

Frankenhooker

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Hands of the Ripper

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Buy: Amazon.com | Amazon.co.uk

Intruder

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Buy: Amazon.com | Amazon.co.uk

Just Desserts: The Making of Creepshow

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Buy: Amazon.com

Long Weekend

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Buy: Amazon.com | Amazon.co.uk

Maniac Cop

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Buy: Amazon.com

Manos: The Hands of Fate

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Buy: Amazon.com | Amazon.co.uk

Morituris: Legions of the Dead

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Buy: Amazon.com

Prom Night

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Sorceress

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Buy: Amazon.com | Amazon.co.uk

Street Trash

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Tenebrae

Thou Shalt Not Kill… Except

Twins of Evil

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Vampire Circus

The company’s DVD releases include:

Battle Girl: The Living Dead in Tokyo Bay

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Beast from Haunted Cave

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Bizarre

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Black Roses

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Blind Beast vs. Killer Dwarf

Blue Sunshine

Brutes and Savages

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Chiller: The Complete Television Series

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Buy: Amazon.co.ukAmazon.com

Christmas Evil

christmas-evil-synapse-dvd

Buy: Amazon.com

Cold Hearts

Cyclone

Dario Argento’s World of Horror

Dark Forces

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The Deadly Spawn

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Document of the Dead

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Effects

Entrails of a Beautiful Woman

Evil Dead Trap

Executive Koala

Fatal Frames

Frat House Massacre

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The Grapes of Death

Gurozuka

Hammer House of Horror

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Home Sick

Horrors of Malformed Men

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Buy: Amazon.com

Karaoke Terror

Lemora: A Child’s Tale of the Supernatural

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Lucker the Necrophagous

Madame O

Mosquito

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Nail Gun Massacre

Night of Death!

Organ

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Buy: Amazon.com

Patrick

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Phenomena

Reel Zombies

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Resonnances

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Rock ‘n’ Roll Nightmare

Screwed

She Killed in Ecstasy

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Snake Woman’s Curse

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Stacy

Stepfather II

Thirst

Thirst DVD

Thundercrack!

Tokyo Psycho

The Uninvited

Wild Zero

Worm

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Wikipedia | IMDb | Official site

 



Intruder (1989)

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‘He’s just crazy ’bout this store!’

Intruder – also known as Night of the Intruder and Night Crew: The Final Checkout  is a 1989 American slasher horror film co-written and directed by Scott Spiegel, the co-writer of Evil Dead II. Co-writer and producer Lawrence Bender went on to work with Quentin Tarantino on Reservoir Dogs, Pulp Fiction and From Dusk Till Dawn.

Special makeup effects were provided by the KNB EFX group comprising of Greg Nicotero, Robert Kurtzman and Howard Berger.

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The film was partially based around Scott Spiegel’s experiences working at the real Walnut Lake Market in Michigan. It was also something of a remake of an earlier Super-8 short film by Spiegel. The short was a slasher story called ‘Night Crew’ and featured a more Halloween inspired killer.

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Buy: Amazon.co.uk

Main cast:

Sam Raimi, Bruce Campbell, Elizabeth Cox, Renée Estevez (Sleepaway Camp II), and Dan Hicks.

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Reviews:

“What kind of caught me offguard is that even though Intruder seems like it’s just out to have a blood-spattered good time for a while there, the extended climax is genuinely claustrophobic and intense. It sure doesn’t hurt that the third act is shouldered by a particularly great Final Girl, and the killer is gleefully psychopathic…a far cry from those stone-faced, silent Jason Voorhees and Michael Myers types. Intruder‘s final moments are also wildly unconventional for a slasher…” Adam Tyner, DVD Talk

“Is Intruder a lost classic? No, not really. But it’s an enjoyable, blood-soaked slasher flick with moments of truly inspired, creative filmmaking. I just wish Spiegel had spent more time crafting a unique style that we see fleeting glimpses of here instead of mimicking Raimi’s Evil Dead/Evil Dead II moves.” Mark, Good Efficient Butchery

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” …a modest, low-budget gorefest that embraces everything that makes these movies so entertaining and throws in its own brand of charm for good measure.” James Oxyer, Obscure Cinema 101

“Most of the dialogue was hilariously cheesy, and consisted of a lot of that horror movie cliche stuff like “Hey, [insert name here] stop fooling around!” … Very fun little movie. It needs more love!” The Girl Who Loves Horror

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“To make up for his surprise-free slasher script, Spiegel resorts to trick shots, filming through a bottle, from underneath a telephone dial or a wastepaper basket or from the point of view of a turning door handle.” The Aurum Film Encyclopedia: Horror

“The first thing that strikes you about Intruder are the odd camera angles. Cameras peer out from inside telephones, beneath the floor and inside buckets, making for an odd atmosphere … One to watch, particularly for Raimi fans.” Jim Harper, Legacy of Blood: A Comprehensive Guide to Slasher Movies 

Legacy of Blood Jim Harper

Buy: Amazon.comAmazon.co.uk

Cast and characters:

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Wikipedia

Social media: Tumblr | Facebook | Twitter | Pinterest


Raising Cain (1992)

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‘DeMented. DeRanged. DeCeptive. DePalma.’

Raising Cain is a 1992 psychological thriller film written and directed by Brian De Palma (Dressed to Kill; The Fury; Carrie; Phantom of the ParadiseSisters). It was produced by Gale Anne Hurd (The Walking Dead; TremorsAliens; The Terminator). Pino Donaggio (Patrick: Evil Awakens; The Black Cat; Tourist Trap) provided the musical score.

The film was a modest box office success, gaining $37,170,057 against a reported $12 million budget.

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On September 13, 2016, Shout! Factory released a 2-disc Blu-ray of the film in the US.

Disc One:
– Theatrical Version of the film
– New interviews with actors John Lithgow, Steven Bauer, Gregg Henry, Tom Bower, Mel Harris and editor Paul Hirsch
– Original Theatrical Trailer

Disc Two:
– Director’s Cut of the Film featuring scenes reordered as originally intended
– Changing Cain: Brian De Palma’s Cult Classic Restored featurette
– Raising Cain Re-Cut – a video essay by Peet Gelderblom

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Buy: Amazon.com | Amazon.co.uk

On 30 January 2017, Arrow Video release a 3-disc version of the film in the UK.

  • Limited Edition [3000 copies] containing two versions of the film on Blu-ray and the theatrical version on DVD
  • Optional English subtitles for the deaf and hard-of-hearing on both versions
  • Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh
  • Booklet featuring new writing on the film by Anne Billson

Discs 1 and 2: Theatrical version [Blu-ray + DVD]

  • High Definition digital transfer of the theatrical version
  • Hickory Dickory Doc, a brand-new interview with actor John Lithgow
  • The Man in My Life, an interview with actor Steven Bauer
  • Have You Talked to the Others?, an interview with editor Paul Hirsch
  • Three Faces of Henry, an interview with actor Gregg Henry
  • The Cat’s in the Bag, an interview with actor Tom Bower
  • A Little Too Late for That, an interview with actor Mel Harris
  • Raising Pino, a brand-new interview with composer Pino Donaggio
  • Father s Day, a brand-new video essay about the multiple versions of Raising Cain by Chris Dumas, author of Un-American Psycho: Brian De Palma and the Political Invisible
  • Theatrical Trailer

Disc 3: Director’s Cut [Limited Edition Blu-ray exclusive]

  • Raising Cain: The Director’s Cut, a De Palma-endorsed recreation of the film by Peet Belder Gelderblom, re-ordered as originally planned
  • Changing Cain: Brian De Palma’s Cult Classic Restored, an introduction by Gelderblom to the Director s Cut
  • Raising Cain Re-Cut, a video essay by Gelderblom on the origins and differences of the Director’s Cut

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Buy: Amazon.co.uk

Main cast:

John Lithgow (Dexter; Tales from the Crypt; Twilight Zone: The Movie), Lolita Davidovich, Steven Bauer (Werewolf: The Beast Among Us; Raptor Island), Frances Sternhagen, Gregg Henry, Tom Bower, Mel Harris, Teri Austin.

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Plot:

Dr. Carter Nix (John Lithgow) is a respected child psychologist. His wife, Jenny (Lolita Davidovich), becomes concerned that Carter is obsessively studying their daughter, Amy; he regards her like a scientist tracking the development of his creation.

However, Carter himself suffers from multiple personality disorder consisting of Cain, a street hustler, Josh, a shy 10-year-old boy, and Margo, a middle-aged nanny. Carter and Cain are killing young mothers to procure their children for his experiments…

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Reviews of 1992 theatrical version:

“Frequently shooting Cain from disturbing, tilted angles, Mr. De Palma may be promising to provide some kind of stylistic compass, but the film is often too caught up in its own craziness to keep track of that. Risky as it sounds, Raising Cain is enjoyable precisely because it makes the most of its own lunacy and stays so far out on a limb.” Janet Maslin, The New York Times

“Is Raising Cain a good movie? No way. You could almost say it’s intentionally bad — a gleeful piece of jerry-built schlock. Yet De Palma’s naughty-boy gamesmanship has a perverse fascination, even when it doesn’t work (which is most of the time).” Owen Gleiberman, Entertainment Weekly

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“De Palma clearly did not want to do a conventional thriller, and so his considerable prowess in that area is only occasionally brought to bear. As a result, despite a few finely creepy moments that remind us of his talent, the shocking parts of Raising Cain feel lethargic and lacking in purpose. That same lack of energy also carries over to the parody elements, for without zest and palpable enthusiasm, a sendup is fated to be dispiriting and largely humorless.” Kenneth Turan, Los Angeles Times

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Reviews of 2016 Blu-ray release:

“Regardless of which version of the film you choose, Raising Cain is one for the books—a thrilling, funny, exciting and creepy exercise in suspense and humor from a master filmmaker firing on all cylinders … Whether you are discovering or rediscovering the film for the first time, you will not only be stunned by just how great it is, you will find yourself wondering how people could have overlooked its brilliance when it first came out.” Peter Sobczynski, RogerEbert.com

“With the new director’s cut, Raising Cain absolutely now needs another look and to be re-assessed. The film’s new narrative is so much stronger and more faithful to just being a De Palma film, its actually just flat out better and actually a good solid thriller instead of a bit of a decent one that’s a little harder to swallow (Or comprehend).” Brandon Peters, Why So Blu?

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“Die-hard fans may see this “Director’s Cut” as an improvement or, at the very least, a new interpretation of something they’ve seen dozens of times before. I wasn’t as impressed with the changes…but since both versions are included here on separate discs, who can complain either way? Combined with a fresh A/V presentation and a handful of other brand new extras, this is a exemplary treatment of a catalog title that’s an exception to the rule these days.” Randy Miller III, DVD Talk

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Cast and characters:

Filming locations:

Mountain View, California, with the park scenes filmed at Menlo Park, where most the film is set. Other locations include Los Altos, Palo Alto, and San Francisco.

Wikipedia | IMDb


The Orphan Killer (2011)

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‘True pain is screamless’

The Orphan Killer is a 2011 independent horror film written and directed by Matt Farnsworth (Gacy; The Stepdaughter). It was produced by Farnsworth and Full Fathom 5.

On December 13, 2016, the film is issued in the US as a Blu-ray + DVD combo by Reel Gore Releasing.

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Buy: Amazon.com

Special Features: Behind The Murder – Exclusive Video Diary | Trailer | Teaser | Music Clip | Slideshow

Main cast:

Diane Foster, David Backus, Matt Farnsworth, James McCaffrey, John Savage, Karen Young, Charlotte Maier.

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Plot:

Two children become wards of the state in New Jersey after a home invasion results in the murder of their parents. Having witnessed the murder, Marcus is forever changed. The siblings are sent to a Catholic orphanage where Audrey is subsequently adopted and Marcus is left behind. He suffers abuse at the hands of the caretakers and as a punishment is masked and exiled.

 

Never forgiving his sister for abandoning him, Marcus returns to his sister’s life many yearscreen-shot-2016-11-10-at-16-38-06s later in adulthood, still masked, wanting to teach her a lesson…

Reviews:

“You’re getting a new slasher, one with a lot of similarities to some of our favorite characters of the past, but with its own unique spin. Know that at times the acting is somewhat lacking but serviceable, and the F/X range from questionable to brilliant, depending on the scene. There are some really cool practical effects here and some that fall short, but again, it works overall.” Scott Hallam, Dread Central

“Ultimately, it doesn’t matter whether a well-composed shot or nicely designed set appears; the film still hits the same grave-but-shrill tone and maintains it over two-thirds of the running time. The honest attempts at atmosphere in The Orphan Killer come as a welcome change after watching dozens of incompetently made grassroots horror flicks, but also serve as a reminder that a good genre movie transcends those factors in ways this one never does.” Jack Bennett, Fangoria

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” …yes, this is a low budget horror, and yes, it looks it throughout the movie. Secondly, the acting is bad and the script isn’t the best. But you know what? Forget about that! Despite these negative points, that would normally ruin the whole film, the fact is this movie left me wanting more, and in a good way. This feels like the re-invention of the classic slasher, paying homage to guys like Michael Myers and Jason Voorhees. Even though the story isn’t exactly original, it still felt fresh with its own unique spin.” Mad Mike, Horror-Movies.ca

“I also really dug the Orphan Killer’s breathing, as compared to his speaking voice. When speaking, he’s eloquent and pretty clever for someone who spent his life being masked and screeched at by nuns. But when he isn’t talking, he has this labored breath that sounds like Michael Myers in heat. The breathing is the condiment on the meal of a murder. And what’s stomping on a horny janitor’s head without a little pepper?” Dockery, Yell! magazine

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The movie is well shot and well directed with Matt Farnsworth leading the pack on this one. I’ve seen bits of his previous film Gacy, but wasn’t as impressed. This one will surely put Matt’s name on the map … There is enough “extreme” to make this experience nail biting. Though its not extreme for only extreme sake. The hardcore parts make sense to the premise and movement of the film.” Mike Willis, HorrorNews.net

Interview:

Matt Farnsworth talks to Martin Unsworth for Starburst magazine

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Cast and characters:

  • Diane Foster as Audrey
  • David Backhaus as Marcus Miller
  • Matt Farnsworth as Mike
  • James McCaffrey as Detective Jones
  • John Savage as Detective Walker
  • Karen Young as Sister Mary
  • Charlotte Maier as Sister Constance
  • Spencer List as Young Marcus
  • Dana DeVestern as Young Audrey
  • Margot White as Jenny Miller
  • Mike Doyle as Marcus Miller Sr.
  • Ivan Martin as Jim
  • Karen Olivo as Angie
  • Matthew Arkin as Bob
  • Ezra Knight as Simon
  • Allison Salvetti as Ghost Orphan
  • Jon David Casey as Jerry

Wikipedia | IMDb | Facebook


Bubba Ho-Tep (2002)

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‘You know the legends… Now learn the truth.’

Bubba Ho-Tep is a 2002 American comedy horror film written, co-produced and directed by Don Coscarelli (John Dies at the EndPhantasm and sequels).

It stars Bruce Campbell as Elvis Presley — now a resident in a nursing home. Ossie Davis plays Jack, a black man who claims to be John F. Kennedy, explaining that he was patched up after the assassination, dyed black, and abandoned.

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The film is based on the homonymous novella by Joe R. Lansdale. Originally the film was “roadshowed” by the director across the country. Only 32 prints were made and circulated around various film festivals, though these garnered critical success. By the time it was released on DVD, it had already achieved cult status due to positive reviews, lack of access, and inclusion of (and similar on-the-road hard work by) Campbell.

A sequel, Bubba Nosferatu: Curse of the She-Vampires, was mooted in the end credits but has been in development hell ever since. Meanwhile, the original has been issued by Shout! Factory as a Collector’s Edition Blu-ray:

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Buy: Amazon.com

 

  • New Audio Commentary with author Joe R. Lansdale
  • New “All Is Well” – an interview with writer/director Don Coscarelli
  • New “The King Lives!” – an interview with star Bruce Campbell
  • New “Mummies and Make-up” – an interview with special effects artist Robert Kurtzman
  • Audio Commentary by Don Coscarelli and Bruce Campbell
  • Audio Commentary by “The King”
  • Deleted Scenes with optional commentary by Don Coscarelli and Bruce Campbell
  • “The Making of Bubba Ho-Tep” featurette
  • “To Make a Mummy” – Makeup and Effects
  • “Fit for A King” – Elvis Costuming
  • “Rock Like an Egyptian” – Featurette about the Music of Bubba Ho-Tep
  • Joe R. Lansdale Reads from Bubba Ho-Tep
  • Archival Bruce Campbell interviews
  • Music Video
  • Theatrical Trailer
  • TV Spot
  • Still Gallery

Plot:

An elderly man at The Shady Rest Retirement Home in East Texas is known to the staff as Sebastian Haff, but claims to be Elvis. He explains that during the 1970s, Elvis Presley (Bruce Campbell) grew tired of the demands of his fame and switched places with an Elvis impersonator named Sebastian Haff (also Campbell). He claims it was Haff who eventually died in 1977, while he, the real Elvis, lived in quiet, happy anonymity and made a living pretending to be himself. After a propane explosion destroyed documentation which was the only proof that he was actually Elvis, he was unable to return to his old lifestyle.

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Twenty years later and living at the retirement home as the film opens, he is contemplating his age, frailty, loss of dignity, impotence, and “A growth on [his] pecker”. Elvis’s only friend is a black man named Jack (Ossie Davis) who insists he is President John F. Kennedy, claiming to have been dyed black after an assassination attempt, and abandoned by Lyndon Johnson in a nursing home.

Eventually, Elvis and Jack face off against a re-animated ancient Egyptian mummy that was stolen during a U.S. museum tour, and then lost during a severe storm when the thieves’ bus veered into a river near the nursing home. The mummy strangely takes on the garb of a cowboy and feeds on the souls of the residents of the home. It is dubbed ‘Bubba Ho-Tep’ by Elvis, who is given a telepathic flashback of the mummy’s life and death when he looks into its eyes…

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Reviews:

“It has the damnedest ingratiating way of making us sit there and grin at its harebrained audacity, laugh at its outhouse humor, and be somewhat moved (not deeply, but somewhat) at the poignancy of these two old men and their situation.” Roger Ebert, RogerEbert.com

Coscarelli’s horror dramedy is a wonderful balance of sweet characterization, well done performances, great special effects and an original story that’s both bittersweet and creepy. Bubba Ho-Tep is an original horror movie worthy of your attention; original horror movies are hard to come by these days.” Felix Vasquez, Cinema Crazed

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“A clever idea remains funny for a while but is done in by some supernatural mumbo-jumbo in Bubba Ho-Tep, a mismatched marriage of offbeat character study and unimaginative horror riffs. Most compelling element by far is Bruce Campbell’s inspired performance as a nursing home patient who insists he is the real Elvis Presley.” Todd McCarthy, Variety

“Despite having a fascinating set-up and an excellent turn from Bruce Campbell, Bubba Ho-Tep becomes a missed opportunity due to director/writer Don Coscarelli’s inability to take advantage of the bizarre premise.” Jeff Beck, The Blu Spot

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Cast and characters:

Wikipedia | IMDb


Puppet Master II (1991)

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‘They’re back. No strings attached.’

Puppet Master II is a 1991 American supernatural horror film written by David Pabian (Dollman; Subspecies), based on a story by executive producer Charles Band. It was directed by stop motion animation expert David Allen (The Dungeonmaster segment “Stone Canyon Giant”) and produced by David DeCoteau. It is also known as Puppet Master II: His Unholy Creations.

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Main cast:

Elizabeth Maclellan (Crash and Burn; Friday the 13th: The Series), Collin Bernsen (Creep Van), Gregory Webb, Charlie Spradling (To Sleep with a Vampire), Steve Welles (The Addams Family; Hollywood Chainsaw Hookers; Biohazard), Jeff Celentano (Demonic Toys), Jeff Weston, Ivan R. Jado, Sage Allen (Servants of Twilight), George “Buck” Flower (Body Bags; Drive In Massacre; Suckula), Nita Talbot (Amityville: It’s About Time; Frightmare; Island Claws).

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Buy: Amazon.co.uk

Opening plot:

Andre Toulon’s grave is being excavated in Shady Oaks, a cemetery in the backyard of the Bodega Bay Inn. We see Pinhead digging Andre Toulon’s grave. Pinhead opens up the coffin, climbs out, and pours a vial of the potion on the skeleton, with Tunneler, Leech Woman, Blade and Jester watching. After pouring the formula, the skeleton raises its arms, indicating that Andre Toulon is alive again.

A few months later, a group of parapsychologists, led by Carolyn Bramwell (Elizabeth Maclellan), are sent to the hotel to investigate the strange murder of Megan Gallagher and the lunatic ravings of a now insane Alex Whitaker. It is explained that Megan’s brain was extracted through her nose (by Blade), and Alex, suspected of the murder, is now locked up in an asylum. While at the asylum, he begins to experience terrible seizures and premonitions…

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Buy: Amazon.com | Amazon.co.uk

Reviews:

” …it’s a twisted look at the madness of Toulon, and how he control his puppets to do his bidding. Dave Allen’s direction is still very atmospheric with some wonderful scenes of brooding tension and suspense … With some creative claymation, “His Unholy Creations” manages to maintain its novelty and entertainment value.” Felix Vasquez, Cinema Crazed

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“The first film was entertaining enough but its plot was lacking a certain something – people turned up, the puppets killed them and that was about it. Now the story is improved with two main additions – an actual motive to explain why the puppets are killing people, and Toulon’s shock betrayal halfway in, which unexpectedly turns the puppets into the good guys.” That Was a Bit Mental

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Puppet Master II is on the whole an improvement on its predecessor. As usual, it’s the human stuff that’s the problem. There’s a lot less padding in this film than in Puppet Master itself, which is to the good – or would be, if what they give us in its place wasn’t quite so much of Eriquee Chanee’s soliloquising….and if the point to all this (using the term loosely) wasn’t to serve up a fourth-rate re-make of The Mummy.” And You Call Yourself a Scientist

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“The characters in Puppet Master II are sympathetic, believable and clearly defined, the only less-than-realistic lacuna being the way that Carolyn continues her work after the death of her brother. The story makes a sort of sense, fits in with what we know of both the puppets and Toulon from the first film, and adds in new stuff like the Egyptian back story. This is a terrific movie, easily one of Charlie Band’s best…” MJ Simpson, Cult films and the people who make them

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Cast and characters:

Steve Welles as Andre Toulon / Eriquee Chaneé
Elizabeth Maclellan as Carolyn Bramwell / Elsa Toulon
Michael Todd as Puppet Toulon
Julianne Mazziotti as Puppet Camille/Elsa
Collin Bernsen as Michael Kenney
Greg Webb as Patrick Bramwell (as Gregory Webb)
Charlie Spradling as Wanda
Jeff Weston as Lance
Nita Talbot as Camille Kenney
Sage Allen as Martha
George Buck Flower as Mathew
Sean B. Ryan as Billy
Alex Band and Taryn Band as Cairo children

Featured puppets:

Blade
Jester
Pinhead
Tunneler
Leech Woman
Torch
Mephisto (flashback)
Djinn the Homunculus (flashback)

Wikipedia | IMDb | Image credit: That Was a Bit Mental


Ghost Town (1988)

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‘The good. The bad. The Satanic.’

Ghost Town is a 1988 American horror film directed by Australian Richard McCarthy [as Richard Governor] and [uncredited] Mac Ahlberg. The script was written by Duke Sandefur (NecronautThe Phantom of the Opera), based on a story by David Schmoeller (Puppet Master; Crawlspace; Tourist Trap) for Empire Pictures.

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According to the book Empire of the ‘B’s, director McCarthy (who had only previously directed an Australian edition of Benny Hill) allegedly discarded the script and improvised whole scenes before either walking out or being thrown off the production.

In the US, the film was released by Transworld on November 11, 1988 in a limited release, only showing on eight screens. New World Pictures released it on VHS. A US Blu-ray was released in July 2016 by Shout! Factory.

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Buy: Amazon.com

Main cast:

Franc Luz (The Nest), Catherine Hickland (Witchery; Robowar; Werewolf TV series), Jimmie F. Skaggs (Dead End; Hollow Man; Puppet Master), Bruce Glover (Simon Says; Die Hard Dracula; Night of the Scarecrow), Zitto Kazann, Blake Conway, Laura Schaefer, Michael Alldredge.

Plot:

Young bride to be Kate Barrett is kidnapped off of a desert road. Deputy Langley is assigned to find the young woman. Once Langley tracks down Kate, the two find themselves stuck in literally in the past. The two must find out how to destroy the evil that has plagued the “ghost town” for decades or just become a page of the towns horrible history themselves…

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Reviews:

” …the movie is beautifully photographed by Mac Ahlberg; and the performances are convincing. What starts out as an interesting premise, however, soon turns into a run-of-the-mill, Saturday-afternoon bad-guy western–the only difference being that here the villains are zombies.” TV Guide

“Though a little slow-paced and adequately acted, the film has a nice ghost-town atmosphere, thanks to Ahlberg’s clever blending, as in his work on Prison, of genre conventions so that typical Western images work in a horror-movie context.” The Aurum Film Encyclopedia: Horror

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” …it conjures up an atmosphere not unlike two other late-period Empire chillers: Prison and Catacombs. But Ghost Town is easily the least of the three (in spite of a superbly-realised dream sequence midway through) and ultimately a missed opportunity. Shame.” Empire of the ‘B’s

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Buy: Amazon.co.ukAmazon.com

“The pacing for this movie is extremely slow, I swear they shot the scene when he walks to the town in real time, cos it takes close to 15 minutes for him to get there and the whole scene is spliced with stock footage of spiders, birds, snakes, crows, and scorpions. Save for Bruce Glover who plays a Wise Blind Man named the “Dealer”, most of the acting in this ranges from bland to horrible.” Tom, Shit Movie Fest

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Buy: Amazon.co.uk

Cast and characters:

Filming locations:

Old Tucson Studios, Tucson, Arizona, USA

Wikipedia | IMDb

 


Shocker (1989)

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‘No more Mr. Nice Guy’

Shocker – also known as Wes Craven’s Shocker – is a 1989 American comedy horror film written and directed by co-producer Wes Craven (Scream; A Nightmare on Elm Street; The Hills Have Eyes).

According to Craven, the film was severely cut for an “R” rating. It took around thirteen submissions to the Motion Picture Association of America (MPAA) to receive an “R” instead of an “X”. Some scenes that were cut included Pinker spitting out fingers that he bit off of a prison guard, a longer and more graphic electrocution of Pinker, and a longer scene of a possessed coach stabbing his hand.

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The film was released by Universal Pictures on October 27, 1989 to minor commercial success, grossing over $16 million from a $5 million budget, and critical failure, having been criticized for being too derivative of Craven’s earlier film A Nightmare on Elm Street.

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Buy: Amazon.co.uk

Main cast:

Michael Murphy, Peter Berg, Heather Langenkamp, Cami Cooper, and Mitch Pileggi.

Opening plot:

A serial killer, having murdered over thirty people, is on the loose in a Los Angeles suburb. A television repairman with a pronounced limp, named Horace Pinker, becomes the prime suspect. When the investigating detective, Lt. Don Parker, gets too close, Pinker murders Parker’s wife, foster daughter, and foster son.

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However, his other foster son, a college football star named Jonathan, develops a strange connection to Pinker through his dreams and leads Parker to Pinker’s rundown shop. In a shootout in which several officers are killed, Pinker manages to escape, and targets Jonathan’s girlfriend Allison in retribution.

Another dream leads Lt. Parker and the police to Pinker, whom they catch in the act of a kidnapping. This time, just as Pinker is about to kill Jonathan, he is arrested. Pinker is quickly convicted and sentenced to die in the electric chair…

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Reviews:

Shocker feels like an almost hallucinatory trip into the world of fantastic, with Craven still walking the slasher line rather confidently. I wouldn’t call it one of the more polished efforts from the visionary director but it certainly is far more entertaining and enjoyable than many have given it credit for over the years.” Heather Wixson, Daily Dead

“Just the narrative alone is completely off-the-wall bonkers and it’s absurdly glorious. We go from a high school romance story to a gritty serial murderer’s killing spree to a tale of black magic life after death followed by a literal chase through TV Land. There’s a reason why Dr. Timothy Leary makes a cameo in the film, and that’s not even a joke!” Andrew Hawkins, CHUD.com

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“The primary gimmick is quite silly—a serial killer made of electricity—but it allows for a few inventive scenarios, particularly Pinker’s body-hopping and an extended sequence where he is actually absorbed into the broadcast TV programming. Shocker is more over-the-top goofy than scary, but it’s a good deal of fun and the special effects hold up pretty well after a quarter century.” Austin Trunick, Under the Radar

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“Moving beyond mere whimsy into preposterousness, Shocker gets points for the loopy audacity of its narrative and some particularly moody cinematography from Jacques Haitkin, but simply doesn’t work consistently enough to be more than sporadically effective.” Dustin Putman, The BluFile

“Noisy (the soundtrack is ‘80s hair metal) and incredible even before Pinker’s execution (nobody in the story’s small town seems overly alarmed by the fact that multiple families have been massacred), Shocker is thoroughly wick-wick-wack, but it’s certainly distinctive.” John Beifuss, The Commercial Appeal

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Shocker, alas, ranks among his absolute worst, with his attempt to create another enduring villain like A Nightmare on Elm Street‘s Freddy Krueger falling woefully flat … Badly written and poorly paced, Shocker also suffers from the sort of broad humor best suited for a Looney Tunes cartoon. Pileggi goes deliberately over the top as Pinker, and it ain’t pretty to watch.” Matt Brunson, Creative Loafing

“I dig a lot about Shocker with its great visuals and a true sense of darkness, dread and despair. The emotional shit that Jonathan puts up with from Pinker (who even kills his girlfriend) drains the viewer…hard not to feel for the guy. While the story recycles many Elm Street ideas, the look of the movie is what really works. I give credit to long time horror cinematographer Jacques Haitkin, a name horror fans should know.” Ryan Doom, Arrow in the Head

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Buy: Amazon.com

Special Features:

-Audio Commentary with director of photography Jacques Haitkin, co-producer Robert Engelman, and composer William Goldstein
-Cable Guy – An all-new interview with actor Mitch Pileggi
-Alison’s Adventures – An interview with actress Cami Coope
-It’s Alive – An interview with executive producer Shep Gordon
-No More Mr. Nice Guy – The Music of “Shocker”, featuring interviews with music supervisor Desmond Child and soundtrack artists Bruce Kulik (KISS), Jason McMaster (Dangerous Toys), Kane Roberts (Alice Cooper) , and Dave Ellefson (Megadeth)
-Audio Commentary with writer/director Wes Craven
-Two Vintage Making of Shocker featurettes including an interview with Wes Craven
-Theatrical Trailer
-TV Spots
-Radio Spots
-Original Storyboard Gallery
-Still Gallery

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Cast and characters:

Wikipedia | IMDb



Amityville 3-D (1983)

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Amityville 3-D – also known as Amityville III: The Demon – is a 1983 American horror film directed by Richard Fleischer (10 Rillington Place; See No Evil; The Boston Strangler) from a screenplay by David Ambrose [as William Wales].

It was the last to be released theatrically until the 2005 remake because it was a flop at the box office, taking only $6.3 million against a $6 million cost.

 

It was one of a spate of 3-D films released in the early 1980s. As with Friday the 13th Part III and Jaws 3-D, this film was shot using the ArriVision 3-D process – coordinated, for this film, by cinematographer Tibor Sands.

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Due to a lawsuit between the Lutz family and producer Dino De Laurentiis over the storyline, Amityville 3-D was not referred to as a sequel. However, the film does make reference to the original story. The character of John Baxter is loosely based on Stephen Kaplan who at the time was trying to prove the Lutzes’ story was a hoax.

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Opening plot:

After he exposes a pair of con artists with his partner Melanie (Candy Clark) in the infamous 112 Ocean Avenue house in Amityville journalist John Baxter (Tony Roberts) is persuaded to purchase the house by real estate agent Clifford Sanders (John Harkins).

While preparing the house for John, Clifford investigates footsteps in the attic. He is locked in the room, where a swarm of flies attack and kill him. John believes Clifford died of a stroke, even after Melanie shows him some photos she took of the real estate agent before his death which depict him as a rotting corpse.

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While John is at work, he nearly dies in a malfunctioning elevator. Simultaneously, Melanie experiences bizarre occurrences in John’s house. She is found later, cowering and hysterical against the wall.

Later, while looking over blowups of the photos of Clifford, Melanie discovers a demonic-looking face in the pictures. When she attempts to show the photos to John, she is killed in a horrific car accident. Melanie’s death is ruled accidental by everyone.

While John is away one day his daughter Susan (Lori Loughlin) and her friend Lisa (Meg Ryan) and two boyfriends use a Ouija board in the attic. The game tells them Susan is in danger…

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Reviews:

Amityville 3-D is a fun and cheesy little scarefest that isn’t particularly frightening but does provide for one or two jumps, some surprising plot turns and a couple of nasty effects, all while trying it’s damnedest to poke you in the eye with a variety of objects at every opportunity. In general you get some pretty decent performances in this one…” Matt Joseph, DVD Active

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“The story itself, involving the daughter being swallowed up by the forces which apparently live in a well in the basement of the house, moves along at a snail’s pace enlivened from time to time by some nice special effects and 3-D images … The film would have worked better played for laughs.” Variety, 31-12-82

” …Amityville 3-D—one-dimensional in every way but its hokey visuals—is too poorly written, awkwardly staged, and pathologically stupid to register as campy fun. But at least it confirms that, if you’re a resident of the Devil’s earthbound vacation home, you can expect paranormal harassment even when riding in faraway office building elevators.” Nick Schager, Slant magazine

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“Whereas Amityville II morphed into an awful imitation of The Exorcist, this morphs into a wretched rip-off of Poltergeist, as a group of paranormal investigators snoop around the house and eventually find a creature who looks like a distant cousin of Dogma‘s excremental demon.” Matt Brunson, Creative Loafing

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Amityville 3-D is sort of like if John Carpenter’s Prince of Darkness was in 3-D and had all the good parts removed. It sort of has that same vibe – a huge team comes into a building setting up various gadgets to test for paranormal activity, eventually locating a portal. But it’s all just so uninteresting.” Chris Coffel, Bloody Disgusting

“It knows it’s a haunted house film. It lacks the European flourishes and eccentricities of its predecessor and the doom-drenched urgency of the original. It’s simply a series of creepy set pieces that are designed to jump at the viewer and the entire screeching evil-entity littered opus is grounded by rock-solid work by a no-nonsense cast.” Chris Alexander, ComingSoon.net

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Buy: Amazon.com

The Amityville Horror
– New interview – Haunted Melodies with Composer Lalo Schifrin
– “For God’s Sake, Get Out!” Documentary with actors James Brolin and Margot Kidder
– Audio Commentary by Dr. Hans Holzer, PH.D. in Parapsychology (author of Murder in Amityville)
– Original Theatrical Trailer
– TV Spot
– Radio Spots

Amityville II: The Possession
– The Possession of Damiani – Interview with Director Damiano Damiani
– Adapting Amityville – New Interview with Screenwriter Tommy Lee Wallace
– Family Matters – New Interview with Actress Diane Franklin
– A Mother’s Burden – New Interview with Actress Rutanya Alda
– Father Tom’s Memories – New Interview with Actor Andrew Prine
– New Interview with ghost hunter/author Alexandra Holzer (Growing up Haunted: A Ghostly Memoir)
– New Audio Commentary with ghost hunter/author Alexandra Holzer
– Original Theatrical Trailer

Amityville 3D
– 2D and Blu-ray 3D presentation of the film for the first time!
– A Chilly Reception – New Interview with Actress Candy Clark
– Original Theatrical Trailer

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Cast and characters:

Choice dialogue:

John Baxter: ‘I guess this is supposed to be, uh, the gateway to Hell.”

Susan Baxter: “Do you know you could have sex with a ghost?”

Wikipedia | IMDb | Image credit: DVD Active


Seven Deaths in the Cat’s Eyes (1973)

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‘Death means nothing to a beast with nine lives!

Seven Deaths in the Cat’s Eyes is a 1973 Italian-French-West German giallo-horror film directed by Antonio Margheriti (Web of the Spider; Castle of Blood; The Virgin of Nuremberg) from a screenplay co-written with Giovanni Simonelli (A Cat in the Brain; Bloody PsychoThe Crimes of the Black Cat).

The film’s score by Riz Ortolani uses musical cue’s from previous Margheriti films such as The Virgin of Nuremberg, and Castle of Blood.

A British Blu-ray release by 88 Films is scheduled for 26 December 2016.

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Buy: Amazon.co.uk

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Main cast:

Jane Birkin, Hiram Keller, Françoise Christophe, Venantino Venantini (City of the Living Dead), Doris Kunstmann, Anton Diffring (Mark of the DevilCircus of Horrors).

Opening plot:

Scotland: A man is murdered with a razor by an unknown killer. The killer drags the man’s body into a dimly lit dungeon and is followed by a ginger cat.

Dragonstone Castle, Scotland: Corringa (Jane Birkin) returns to spend summer with her mother. A gorilla is seen watching the carriage from an upper window.

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Corringa is reunited with her mother, Lady Alicia (Dana Ghia), and her aunt, Lady Mary MacGrieff (Francoise Christophe). Other castle residents include Dr. Franz (Anton Diffring), a priest (Venantino Venatini), the French teacher Suzanna (Doris Kunstmann), and her mad cousin, the son and heir of Lady Mary, Lord James MacGrieff (Hiram Keller). After a dinner party, Lady Alicia is suffocated with a pillow while the ginger cat watches…

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Buy: Amazon.com

Review:

This gothic giallo begins frenetically with a pre-credits murder, after which rats devour the corpse-all the while viewed by the overweight titular moggy. This unsubtle opening sets the tone for what becomes almost a black comedy in which every character either a blathering eccentric or stark raving mad (its no surprise that writer Simonelli and director Margheriti’s previous stab at the genre, The Young the evil and the Savage, was also full of humor).

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To top it all, there is the splendidly absurd notion that lunatic Lord James would keep a live ex-circus Gorilla caged up in his quarters, which allows for some vintage monkeying about behind wall panels by the real killer. References to chimeras and vampires and even “a new theory by someone called Freud” are thrown into the pot but go nowhere.

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The casting of Euro-Pop chantress Jane Birkin and Gallic songster Serge Gainsbourg adds novelty value to the proceedings but little else. The entertainingly overblown package is suitably complemented by Ortolani’s recycled bombastic orchestral arrangements.

Adrian J Smith, Horrorpedia

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Other reviews:

” …at far too many moments the narrative seems to run out of steam and meander lifelessly from one scene to the next. Fortunately this slovenly progress is offset by some beautifully composed shots and a tense soundtrack by Riz Ortolani. Seven Deaths in the Cat’s Eye doesn’t pull any punches with its violence and there are number of well mounted set pieces, but this energy is only fleetingly glimpsed.” The Celluloid Highway

The thick atmosphere of the spooky castle couldn’t be cut with a knife, and definitely contributes to the weird success of this almost schizophrenic film. One moment it’s a supernatural tale of family curses, the next the threat is a human one and the suspects numerous. Margheriti delivers a number of memorable moments… Casey Scott, DVD Drive-In

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” …an opulent treat. Effective as both a black comedy, one where the laughs are both subtle and unobtrusive; and a sumptuous gothic melodrama-come-giallo.” Justin Kerswell, Hysteria Lives

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Cast and characters:

Filming locations:

Incir De Paolis, Rome, Lazio, Italy
Castello Massimo, Arsoli, Roma, Italy

The film has also been released as (Italian:) La morte negli occhi del gatto, (French:) Les Diablesses, (Germany:) Sieben Tote in den Augen der Katze and Cat’s Murdering Eye.

Wikipedia | IMDb

 


Zombie Massacre 2: Reich of the Dead (2015)

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‘They’re hungry for war’

Zombie Massacre 2: Reich of the Dead is a 2015 Canadian Italian science fiction horror film written and directed by Luca Boni and Marco Ristori (Eaters) and produced by Uwe Boll (BloodRayne series; Seed and sequel; Alone in the Dark).

Released in the UK as Reich of the Dead, it is a sequel to Zombie Massacre (2013) by the same filmmakers.

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Buy: Amazon.com

Main cast:

Andrew Harwood Mills (House of Evil), Dan van Husen (Forest of the Damned; Darkhunters), Aaron Stielstra (Age of the Dead), Ally McClelland,  Michael Segal (Age of the Dead; Virus: Extreme Contamination), Lucy Drive (House of Evil; The Crypt), David White (Haunted; Age of the Dead; Zombie Massacre), Eleonora Marianelli.

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Plot:

World War II: A platoon of American soldiers are fighting against a horde of zombies created by the Nazis using the prisoners from their camps. They have only one night to save their own lives but the enemy is stronger and stronger…

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Buy: Amazon.co.uk

Reviews:

“The dialog is fluid and realistic, and many of the practical effects are very well done. Yes, it’s moody, gritty, stylish and well acted, but it’s also painfully slow and meanders aimlessly between war and horror film. There is also no characters you’ll become truly vested in and the undead don’t show up until thirty-two minutes into the eighty minute film.” TS Alan, Zombie Education Alliance

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” …a wasted opportunity to tell a compelling story about the horrors of war in the form of a horror flick … Zombie Massacre 2 represents an improvement over its predecessor, but this sequel is still hard to recommend to anyone other than fans of the horror movies looking for something different.” Eric Sandroni, Games Retrospect

“The cinematography’s good, the makeup, the lighting, even the location … but the rest? The writing, the directing, the acting? You will long for the lobotomy they wanted to give you back in high school.” Kevin W. Williams, Rotten Tomatoes

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Buy: Amazon.co.uk (English audio option)

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IMDb | Facebook


Parents (1989)

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‘There’s a new name for terror…’

Parents is a 1989 American black comedy horror film directed by Bob Balaban from a screenplay by Christopher Hawthorne. It stars Randy Quaid, Mary Beth Hurt, Sandy Dennis and Bryan Madorsky.

The film received a mixed response from critics and fared poorly commercially – grossing $870,532 in the US on a budget of $3 million – but has since developed a cult following.

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On January 31, 2017, Parents is released on Blu-ray as part of the Vestron Video Collector’s Series. The following special features have been announced:

  • Audio Commentary with Director Bob Balaban and Producer Bonnie Palef
  • Isolated Score Selections/Audio Interview with Composer Jonathan Elias
  • Four Featurettes:
  • ‘Leftovers To Be’ with Screenwriter Christopher Hawthorne
  • ‘Mother’s Day’ with Actress Mary Beth Hurt
  • ‘Inside Out’ with Director of Photography Robin Vidgeon
  • ‘Vintage Tastes’ with Decorative Consultant Yolando Cuomo
  • Original Theatrical Trailer
  • Radio Spots
  • Still Gallery

screen-shot-2016-11-23-at-17-18-12Plot:

Ten-year-old Michael Laemle has moved with his parents Nick and Lily from Massachusetts to a new neighborhood in 1954 suburbia. As Michael is very socially awkward and also has an overly active imagination, he has trouble making friends at school. He is also prone to extremely weird dreams, such as dreaming that he has jumped into bed- only for it to collapse into a pool of blood.

Emotionally distraught from the move and the dreams, Michael is traumatized by accidentally viewing his parents having sex (he believes that he is seeing them biting into one another) and by viewing his father cutting into a corpse in the Division of Human Testing at Toxico, where Nick is developing a chemical defoliant (like Agent Orange) for use in jungles.

As time progresses, Michael begins to suspect that his parents are cannibals, after he discovers (or dreams that he discovers) body parts hanging on a meat hook in the basement…

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Reviews:

“…it would have been very easy and much more profitable to follow the over-the-top wacky, campy route a la Eating Raoul. The fact that Balaban chose to remain so low-key, unrelentingly grim, and  blackly funny is something to be respected.” Jim Knipfel, Den of Geek!

“There is not enough weight or complexity to the material to justify the serious approach, and while the potential for considerable black comedy exists, Balaban only scratches the surface. The laughs never come.” Roger Ebertfear-parents-dvd

Buy: Amazon.com

“A surprisingly perfect picture from first‑time director Bob Balaban (previously best-known as a mild-mannered character actor), this makes unsettling use of kitsch ‘50s suburban décor (kidney-shaped coffee tables), creepy‑comic performances and subversive ideas (the message is don’t trust your parents).” Kim Newman, Empire

“The satire of the 50’s is more bland than biting, dependent on authentically garish costumes and sets. And when the horror-film scenes begin to intrude on normal life (what is hanging from the cellar ceiling, anyway?) Mr. Balaban can’t make the dark elements seem comic enough to mesh with the rest of this nightmarish joke.” Caryn James, The New York Times

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“Neither particularly witty nor horrific, Parents is simply a predictably boring product of its time, although cashing in on 1950s nostalgia in 1989 is the equivalent of releasing a disco record in 1979 — a day late and a dollar short.” Patrick Mitchell, The Film Yap

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Buy: Amazon.com | Amazon.co.uk

Cast and characters:

Filming locations:

Toronto, Ontario, Canada

Wikipedia | IMDb


The Survivor (1981)

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‘Pilot error? Or supernatural terror?’

The Survivor is a 1981 Australian horror thriller film directed by David Hemmings (actor in Harlequin; Thirst; Deep Red) from a screenplay by David Ambrose (Blackout), based on a novel of the same name by British author James Herbert.

It was produced by Antony I. Ginnane (Patrick: Evil Awakens; Dark Age; Turkey Shoot) and the score was provided by composer Brian May.

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Prior to filming David Hemmings and Antony I. Ginnane discussed whether to make the film gory or more cerebral in the vein of The Innocents (1961). They chose the latter, a decision Ginnane later said was a mistake. Novelist James Herbert later described the film to David J Howe as “terrible … absolute rubbish.”

Main cast:

Robert Powell (Harlequin; Asylum), Jenny Agutter (Child’s Play 2; An American Werewolf in London; Dominique), Joseph Cotten (The Hearse; Baron Blood; Lady Frankenstein).

The film is released on Blu-ray in North America by Severin Films on January 10, 2017.

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Buy: Amazon.com

Special Features:

  • Not Quite Hollywood Extended Interviews with Producer Antony I. Ginnane and Cinematographer John Seale
  • The Legacy of James Herbert
  • Robert Powell on James Herbert – Archive TV Special On Location Featuring Interviews with Stars Joseph Cotten and Peter Sumner
  • Archive TV Interview with David Hemmings
  • Archive TV Interview with David Hemmings and Robert Powell
  • Antony I. Ginnane Trailer Reel
  • TV Spot

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Plot:

A pilot survives the crash of his airplane in a Sydney suburb, unhurt despite all of its 300 passengers dying in the accident. With no memories of the accident, he starts to suffer strange supernatural visions, guiding him to suspect that something happened in the crash and that the accident maybe wasn’t an accident…

Reviews:

“Although by no means a horror classic, The Survivor is a well-made and evocative thriller that, almost 35 years after its release, can finally be appreciated for what it is and not panned for refusing to meet audience demands of its time.” Ernie Magnotta, Cinemaretro

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“Some instances of creepy imagery, such as the roasted corpses, are unsettling, and the lily white-clad children economically convey a spectral eeriness. That something very strange is afoot is never really in question–you’re just kind of left wishing The Survivor would find its groove; and it never does.” Brett Gallman, Oh, the Horror!

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“The acting is decent enough, with a fleeting appearance by Joseph Cotton that completists may want to check out, and nothing is completely mishandled but half of the film is, dare I say it, a little bit dull when showing Keller attempting to mentally recover from the effects of the plane crash … Still worth a watch…” Kevin Matthews, Flickfeast

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“It could have been made to work but David Hemmings’s attempts to build atmosphere are tediously drawn out. The payoffs frequently verge on the ludicrous – like the scene where Jenny Agutter is possessed or the woeful attempt to make a batch of photos in a developing vat seem threatening.”Richard Scheib, Moria

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Wikipedia | IMDb


Fright Night (1985)

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‘There are some very good reasons to be afraid of the dark.’

Fright Night is a 1985 American horror film written and directed by Tom Holland (scriptwriter The Beast Within; Psycho II; Scream for Help, and future director of Thinner and Child’s Play).

The film was produced by Herb Jaffe (Nightflyers; Motel Hell; Demon Seed) and Brad Fiedel (The Terminator) provided the synth soundtrack score.

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While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next door neighbor was a vampire, but he didn’t initially think this premise was enough to sustain a story. “What’s he gonna do,” Holland asked, “because everybody’s gonna think he’s mad!”

In that era, many local TV affiliates in the United States had horror hosts (perhaps the most famous are Zacherle, Svengoolie, and the nationally syndicated Elvira), so Holland decided it would be natural for the boy to seek aid from his local host. “The minute I had Peter Vincent, I had the story. Charley Brewster was the engine, but Peter Vincent was the heart.”

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The film was released on August 2, 1985, and grossed $24.9 million at the US box office; the second highest-grossing horror film of the year, surpassed only by A Nightmare on Elm Street 2: Freddy’s Revenge (interestingly, both share a homo-erotic sub-text). It was followed by a sequel, Fright Night Part 2 in 1988, and a remake in 2011, which was in turn followed by Fright Night 2: New Blood in 2013.

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In 1989, the film was unofficially remade in India as Amavasai Iravil (“Moonless Night”). Set at Christmas time, this version mirrors the original film, but the Peter Vincent character’s occupation was changed to a priest.

Between 1988-1993, NOW Comics published twenty-seven Fright Night comic books. The original film was adapted as the first two issues of the series.

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Buy Blu-ray: Amazon.co.uk

Plot:

Seventeen-year-old Charley Brewster is a fan of both traditional horror films and a horror TV series entitled Fright Night, hosted by former movie vampire hunter Peter Vincent. One evening, Charley discovers that his new next door neighbour Jerry Dandrige, is a vampire responsible for the disappearances of several victims. Charley tries to tell his mother and asks his friends for help.

In desperation, he contacts the police, but they believe that he iscreen-shot-2016-11-28-at-15-42-14s imagining things and ignore his claims after he reveals his suspicions to them when he accompanies a homicide officer to Jerry’s house.

That night, Charley gets a visit from Jerry, who offers Charley a choice: forget about his vampire identity – or else. Charlie refuses, brandishing his crucifix at Jerry. When Jerry stops Charley and slowly tries to push him out the window to his death, Charlie stabs Jerry’s hand with a pencil. Enraged, Jerry destroys Charley’s car in retaliation and informs Charley that he will do much worse to him later…

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Reviews:

“McDowall’s performance is wickedly funny, and he must have enjoyed it, chewing the scenery on his horror-movie program and then chewing real scenery down in the vampire’s basement. Fright Night is not a distinguished movie, but it has a lot of fun being undistinguished.” Roger Ebert

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“Chris Sarandon is terrific as the vampire, quite affable and debonair until his fingernails start to grow and his eyes get that glow. William Ragsdale superbly maintains due sympathy as a fairly typical youngster who can’t get anybody to believe him about the odd new neighbor next door.” Variety

“Holland embraces the most hackneyed vampire mythologies out of respect for the institution, but innovates upon them with wry humor and fresh makeup designs. Jerry’s vampire form transforms from a swingin’ ‘80s player to a red-eyed, grotesque faced creature heralding vamps from The Lost Boys and From Dusk Till Dawn.” Brian Eggert, Deep Focus Review

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“The special effect are fantastic. Its all in camera, from the glory days before anyone, never mind George Romero and pals, would use CG for blood splatter. They’re gruesome, convincing and in one particular scene involving Evil Ed, help to convey deep compassion for a monster.” Kyle Scott, The Horror Hotel

“Perhaps the best of the 1980s vampires-in-the-‘burbs flicks makes fine use of all the conventions of the sub-genre and combines them with first-rate effects.” Mike Mayo, The Horror Show Guide

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Buy: Amazon.com | Amazon.co.uk | Amazon.ca

“It’s dotty, a little ragged (particularly in Stephen Geoffery’s overbearing buddy who gets a vampiric makeover) and fairly tame in the shock department, but it has a wining guile. Holland injects a light tribute to the forgotten joys of traditional horror movies, the enthralling fantasy of vampires, werewolves and Frankenstein’s monster.” Ian Nathan, Empire

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Buy: Amazon.com

Choice dialogue:

Peter Vincent: “Nobody wants to see vampire killers anymore, or vampires either. Apparently all they want are demented madmen running around in ski masks hacking up young virgins.”

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Cast and characters:

  • Chris Sarandon as Jerry Dandrige
  • William Ragsdale as Charley Brewster
  • Amanda Bearse as Amy Peterson
  • Roddy McDowall as Peter Vincent
  • Stephen Geoffreys as Edward “Evil Ed” Thompson
  • Jonathan Stark as Billy Cole
  • Dorothy Fielding as Judy Brewster
  • Art J. Evans as Detective Lennox

Wikipedia | IMDb


Head of the Family (1996)

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‘Upset the head… and you’re dead!’

Head of the Family is a 1996 American comedy horror film directed by co-producer Charles Band [as Robert Talbot] (Puppet Master: Axis Termination; Evil Bong; Crash!) from a screenplay by Neal Marshall Stevens [as Benjamin Carr] (Thir13en Ghosts; Hellraiser: DeaderThe Killer Eye), based on Band’s storyline.

Full Moon Entertainment is releasing the film on Blu-ray on December 20, 2016.

A sequel, Bride of the Head of the Family, has been announced more than once but it has never been produced. Meanwhile, the film has spawned various items of merchandise such as t-shirts, mugs, mouse mats and resin figures.

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Main cast:

Blake Adams (The Killer Eye; Lurking Fear), Jacqueline Lovell (The Killer Eye; Hideous!), Bob Schott (Fear), James Jones, Alexandria Quinn,Gordon Jennison NoiceJ.W. Perra, Vicki Skinner, Robert J. Ferrelli, Bruce Adel, Gary Anello, Dyer McHenry, Rob Roeser, Steven Novak, Van Epperson.

Plot:

Howard (Gordon Jennison Noice) is the meanest nastiest thug in town, a criminal with a hot wife Loretta (Jacqueline Lovell). Loretta’s problem is she’s having an affair with Lance (Blake Adams), owner of the town diner and Howard’s getting suspicious.

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Driving back from one of their nightly flings, Lance witnesses the local family of weirdos, the Stackpools, dragging a man from his truck and into their house. Seeing this as an opportunity, Lance discovers the Stackpools’ terrible secret.

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They are quintuplets but instead of being born as a normal human, they each have one of the traits of one human being: One is extremely strong; one has extremely well-developed senses; one is extremely attractive (Alexandria Quinn); and, one is extremely intelligent.

The whole family is run by the one who has super intelligence, the ‘head of the family’ from the title, Myron (J.W. Perra). Little more than a giant head with hands in a wheelchair, Myron psychically controls his other siblings, but seeks more…

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Reviews:

“Lovell is treated to a tongue-on-flesh scene that posits her as Full Moon’s ’90s-era Barbara Crampton, participating in what is easily the most unnerving nipple licking ever committed to 35mm. This scene alone makes Head of the Family worth a watch for any self-respecting Full Moon fan; it’s the perfect synthesis of the grotesque and softcore that the company does so well.” Ike, Yell! magazine

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“It’s not likely to become any movie buff’s favorite piece of cinema ever, but it has a fun story, some good practical effects (the makeup job on Myron is quite a piece of work, as are a few of the surgery-aftermath applicatons), a decent script, and plenty of Grade-A nudity to boot.” Mad Mad Mad Mad Movies

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“The inadequate financing apparently prevented the filmmakers from even using real fire during the finale, leaving far too much to the imagination – so much, in fact, that nothing appears resolved, as if the story just tapers off with no clear conclusion. Nevertheless, the dual lack of plausibility and clothing, mixed with a few bits of outrageously accidental humor, make this cult film a perversely erotic, strangely worthwhile watch.” Mike Massie, Gone with the Twins

Wikipedia | IMDb | Image credits: Yell! magazine



Mindwarp aka Brain Slasher (1992)

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‘In the future, life will be dream. And reality, a nightmare.’

Mindwarp – released as Brain Slasher outside the United States – is a 1992 post-apocalyptic science fiction-horror film directed by Steve Barnett (Scanner Cop II; Hollywood Boulevard II) from a screenplay by John Brancato and Michael Ferris (Terminator Salvation; Terminator 3: Rise of the Machines; The Game). It should not be confused with Galaxy of Terror, which is also known as Mindwarp.

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The film is notable as one of three created by Fangorias short-lived Fangoria Films production company. The others were Children of the Night (1991) and Severed Ties (1992).

Twilight Time released Mindwarp on Blu-ray on October 8, 2013. The extras include an isolated score and TV spot.

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Buy: Amazon.com | Amazon.co.uk

Main cast:

Bruce Campbell (The Evil Dead), Angus Scrimm (Phantasm), Marta Martin [credited as “Marta Alicia”], Elizabeth Kent (Trapped Alive), Mary Becker, Wendy Sandow, Brian Brill, Bekki Vallin, Matt Hensley, Keith Rodenberger.

screen-shot-2016-12-02-at-11-02-58Opening plot:

The year 2037: The loss of the ozone layer has left most of the planet a desolate wasteland scattered with highly radioactive “Death Zones”, except for several areas that still flourish.

Much of the human population has been reduced to Crawlers, mutated cannibalistic underground dwellers who have lost their intelligence and speak only in grunts and mine garbage dumps.

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Outworlders are un-mutated humans inhabiting the Death Zones. A few humans are Dreamers, who live in Inworld, a sealed biosphere maintained by the central Infinisynth computer. They spend all their time plugged in via implants in their necks, living through virtual reality fantasies.

Judy, a dreamer, lives with her mother. She has gradually becomes less satisfied with the life they have. After an unsuccessful attempt to talk directly to her mother, Judy manages to penetrate her virtual reality to wake herself up. Judy interrupts the dream, but she causes her mother to die in the real world.

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For interfering with dreams of other users, Judy is exiled from Inworld by the mysterious System Operator who controls Infinisynth. She is saved from the Crawlers by Stover (Bruce Campbell), an Outworlder who believes he is the last “normal” human being still living on the surface, protecting himself from the deadly ultraviolet rays, radioactivity, caustic ground water, and Crawlers, while subsisting on a diet of small animals…

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Reviews:

“This underrated, low-budget post-apocalyptic/technological/CHUD-style tale explores themes probed seven years later in the highly popular 1999 film The Matrix (though the viewpoints of the filmmakers couldn’t be more carbon opposite), and Mindwrap seems to be an amalgam of some of the best sci-fi films out there, e.g. The Time Machine, Total Recall, Blade Runner and THX 1138.” Saturday Night Movie Sleepovers

“Aside from the twist ending (or should that be twist endings?), this one doesn’t win many points for originality, but the makeup and gore effects are — to quote another Campbell character — groovy.” Matt Brunson, Creative Loafing

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“When Campbell and the girl are taken prisoner, this entertaining sci-fier gets good and gory and is a barrel of fun if you’re willing to take it as tongue-in-cheek, especially Scrimm’s madness.” John Stanley, Creature Features

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Buy: Amazon.co.uk | Amazon.com | Amazon.ca

Mindwarp starts off promisingly but quickly peters out, limping along in a miasma of standard issue sci-fi tropes until reaching a final reel that’s littered with one unsatisfying twist after another. The whole thing is too sluggish and tedious to even accidentally be fun” Adam Tyner, DVD Talk

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“Despite its lacklustre production values, the film is still highly engaging, and that’s all down to the actors selling it like champs. This further reaffirmed Campbell’s capabilities as a great action hero… This is actually one of his better acting performances, even if the movie itself isn’t exactly of a high calibre.” Kieran Fisher, That’s Not Current

“At least the surface landscape and bad guy dressings are good. The underground plugged in world is not so hot. The movies biggest sin is that it is kind of dull and relegates Bruce Campbell to a background role that does not take advantage of his full charisma. Tragic.” Christopher Beaumont, Critical Outcast

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Filming locations:

Stamp sand and copper mining ruins – Gay, Michigan
Windsor Lake Studios, East River, Wisconsin, USA

Wikipedia | IMDb


Rillington Place – TV mini-series

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Rillington Place is a 2016 British three-part BBC television mini-series about John Christie, the necrophile serial killer who murdered eight women and stowed their bodies behind the walls, under the floor, and in the yard of his Notting Hill house. It was directed by Craig Vivairos from a script by Tracey Malone and Ed Whitmore.

Before the extent of Christie’s chilling crimes were detected, Timothy Evans, an innocent man, was unjustly hung for the murder of his pregnant wife Beryl.

Tim Roth stars as John Christie. His wife Ethel is played by Samantha Morton. Nico Mirallegro and Jodie Comer play lodgers Timothy and Beryl Evans who are drawn into Christie’s dark world and pay the ultimate price…

The series is released on Blu-ray and DVD by the BBC on January 16, 2017.

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Buy: Amazon.co.uk

The story of John Christie’s murder spree was previously dramatised in the 1971 film 10 Rillington Place with Michael Attenborough as the infamous multiple murderer.

Reviews:

“The sheer menace of the thing is extraordinary. The interiors are tiny, dark, oppressive. The script is minimal, elliptical … Tim Rothas Christie is an ocean of malevolence packed into one small, unassuming frame. And Samantha Morton as Ethel, upon whom the impossible truth slowly, almost imperceptibly dawns, is a world of pain entire.” Lucy Mangan, The Guardian

“The bleakness of Britain in the Forties and early Fifties was well caught by director Craig Vivairos. The depressing mise-en-scène – soot-stained brickwork and damp bubbling underneath flock wallpaper – was appropriately oppressive, as was the sparsity of the dialogue, indicating the joylessness of the Christies’ lives.” Ben Lawrence, The Telegraph

Filming locations:

Glasgow, Scotland

Wikipedia | IMDb | Related: 10 Rillington Place


Vampires aka John Carpenter’s Vampires (1998)

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‘Prepare for the dawn.’

Vampires – also known as John Carpenter’s Vampires – is a 1998 American independent horror western film directed and scored by John Carpenter and starring James Woods (Cat’s Eye; Videodrome). It was adapted from the novel Vampire$ by John Steakley by screenwriter Don Jakoby.

The film was followed by two direct-to-video sequels, Vampires: Los Muertos (2002) and Vampires: The Turning (2005).

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In the UK, Powerhouse Films release the film on Blu-ray and DVD on 23 January 2017.

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Buy: Amazon.co.uk

Plot:

A team of Vatican sponsored vampire hunters led by Jack Crow (James Woods) rids an abandoned house of vampires in the middle of New Mexico, only to be wiped out by a master vampire called Valek (Thomas Ian Griffith).

Only two members of the team survive, Jack Crow and Tony Montoya (Daniel Baldwin) as well as a prostitute named Katrina (Sheryl Lee) who was bitten by Valek. Crow later meets his boss, Cardinal Alba (Maximilian Schell), who introduces him to Father Adam Guiteau (Tim Guinee).

After Crow reluctantly allows Guiteau to come along with him, he tells the priest some of his past, about how his father was bitten by a vampire, killed his mother, came after Jack and that he killed his own father. He then asks what it is Valek is after and Guiteau tells him that Valek is seeking an ancient relic called the Black Cross of Berziers and that Valek was once a fallen priest who was thought to have been possessed by demons. The Bérziers Cross was used in an exorcism that was cut short but the result was that Valek was forever changed into the first vampire.

 

Using the changing Katrina’s mind, Jack, Montoya and Guiteau find out that Valek has seized the cross and they arrive at an old church to kill more vampires but they are soon set up as Cardinal Alba sides with Valek and kidnaps Crow, revealing that his plan all along was being turned into by Valek so he can too become immortal. Katrina turns into a vampire and allies herself with Valek after biting Montoya.

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Cardinal Alba agrees to perform a ritual using the cross which will allow vampires to walk in sunlight and be invulnerable, but Guiteau, who was in hiding, appears and kills him before he can finish the ritual. Montoya and Guiteau then rescue Crow as the sun rises, and Crow heads off to confront Valek, whom he kills by ramming the Berziers cross into his chest and exposing him to sunlight, which causes Valek to explode.

Guiteau realizes that Montoya is about to turn into a vampire now that he has been bitten by Katrina, but Crow knows that Montoya has been loyal to him and so decides to take Montoya’s fate in his hands, telling Montoya that after two days he will hunt down and kill both him and Katrina. After Montoya and Katrina leave, Jack and Guiteau head off once again to kill the rest of the vampires that made it to shelter.

Reviews:

“In some ways, Vampires looks and feels different from other Carpenter movies it’s more frenetic, its visuals less studied than usual but its grimly relentless tone is perfect Carpenter. All the vampires do is kill. All the heroes do is kill vampires. In lesser hands, this could become repetitive and dull; Carpenter plays small, surprising variations throughout, as he does in his score for the film.” Rob Gonsalves, eFilmCritic.com

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“The story (based on John Steakley’s novel) offers some intriguing ideas, but it’s hard to muster up much sympathy or emotion when the humans are as repellent as those they slay. Sheryl Lee, Twin Peaks‘ Laura Palmer, does remarkably well with her paper-thin role as a bite victim who holds the key to Valek’s potential downfall.” Matt Brunson, Creative Loafing

“The movie has a certain mordant humor, and some macho dialogue that’s funny. Woods manfully keeps a straight face through goofy situations where many another actor would have signaled us with a wink. But the movie is not scary, and the plot is just one gory showdown after another.” RogerEbert.com

” …with poor staging that makes set pieces intended to feel grand instead feel rushed and underwhelming, along with a mixed bag of a cast with some pretty bad supporting roles, Vampires has enough problems to really hold it back from being a significant entry in the vampire subgenre.” Ed Travis, Cinapse

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“Rarely has a Carpenter film been this regressively boorish, as well as unjustifiably taken with its smart-ass sense of humor. Even more stunning still, though, is the pedestrian blandness of the director’s widescreen cinematography, which largely involves framing the hammy Woods in faux-tough-guy stances, and which – when married to mind-numbingly repetitive southern-guitar musical themes – helps render the undead action inanimate.” Nick Schager, Lessons of Darkness

Interviews:

Director John Carpenter talks to Jim Hemphill for Filmmaker

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Cast and characters:

  • James Woods as Jack Crow
  • Daniel Baldwin as Tony Montoya
  • Sheryl Lee as Katrina
  • Thomas Ian Griffith as Jan Valek
  • Maximilian Schell as Cardinal Alba
  • Tim Guinee as Father Adam Guiteau
  • Mark Boone Junior as Catlin
  • Gregory Sierra as Father Giovanni
  • Cary-Hiroyuki Tagawa as David Deyo
  • Thomas Rosales, Jr. as Ortega
  • Henry Kingi as Anthony
  • David Rowden as Bambi
  • Clarke Coleman as Davis
  • Marjean Holden as Female Master

Wikipedia | IMDb


Army of Darkness (1992)

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‘Trapped in time. Surrounded by evil. Low on gas.’

Army of Darkness – aka Bruce Campbell vs. Army of Darkness  is a 1992 American comedy horror film directed by Sam Raimi from a screenplay co-written with Ivan Raimi. It was co-produced by Robert Tapert and Bruce Campbell. It stars the latter and Embeth Davidtz. Principal filming took place in California during 1991.

It is the third entry in the Evil Dead franchise, following The Evil Dead (1981) and Evil Dead II (1987). In it, Ash Williams (Campbell) is trapped in the Middle Ages and battles the undead in his quest to return to the present.

The makeup and creature effects for the film were handled by two different companies: Tony Gardner and his company Alterian, Inc. were responsible for the Ash & Sheila Makeup Effects, while Kurtzman, Nicotero & Berger EFX Group was credited for the remaining Special Makeup Effects characters.

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Danny Elfman, who composed the score for Darkman, wrote the “March of the Dead” theme for Army of Darkness. Joseph LoDuca, who composed the music for The Evil Dead and Evil Dead II, scored the remainder of the film.

Army of Darkness premiered on October 9, 1992 at the Sitges Film Festival, and was released in the United States on February 19, 1993. It grossed $21.5 million against a $11 million budget.

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Buy: Amazon.co.uk

The S-Mart ending was shot for the American release; Universal Pictures wanted to end the film on a high note for the character of Ash. The original ending, preferred by Raimi and Campbell themselves, is one in which Ash is shown being placed in a cave and given a potion which will put him to sleep for centuries. Echoing his experience in botching the recovery of the Necronomicon, Ash mishandles the specific instructions for the potion, accidentally taking an extra dose. Ash awakes and arises from his cave to find himself in a post-apocalyptic future, in which the city of London is in ruins. The original ending has subsequently been restored to the director’s cut of some releases.

Over the years, there were numerous rumours of an Army of Darkness 2 film being in development but Ash finally returned in the wonderful 2015 TV series Ash vs Evil Dead, with no mention of his medieval adventures in the first series due to copyright reasons.

Opening plot:

Being transported to the Middle Ages, Ash Williams is captured by Lord Arthur’s men, who suspect him an agent for Duke Henry, with whom Arthur is at war. He is enslaved along with the captured Henry, his gun and chainsaw confiscated, and is taken to a castle.

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Ash is thrown in a pit where he kills a Deadite and regains his weapons from Arthur’s Wise Man. After demanding Henry and his men be set free, as he knew it was a witch hunt, and killing a Deadite publicly, Ash is celebrated as a hero. He grows attracted to Sheila, the sister of one of Arthur’s fallen knights.

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According to the Wise Man, the only way Ash can return to his time is through the magical Necronomicon Ex-Mortis. Ash then starts his search for the Necronomicon. As he enters a haunted forest, an unseen force pursues Ash into a windmill, crashing into a mirror. Small reflections of Ash in the mirror shards come to life, with one becoming a life-sized clone, after which Ash kills and buries it.

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When he arrives at the Necronomicons location, he finds three books instead of one and determines which is the actual book. Attempting to say the phrase that will allow him to remove the book safely – “Klaatu barada nikto”, he forgets and tries to unsuccessfully mumble and cough “nikto”. He then grabs it and rushes back, while the dead and his evil copy resurrect, uniting into the Army of Darkness…

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Buy: Amazon.co.uk

On October 27, 2015 Shout Factory! released a Collector’s Edition Blu-ray with the following special features:

Disc One (Theatrical Version – 81 min.) – 1080p High-Definition Widescreen (1.78:1), DTS-HD Master Audio 5.1 & 2.0
-Medieval Times: The Making Of “Army Of Darkness” Featuring Interviews With Star & Co-Producer Bruce Campbell, Actors Marcus Gilbert, Ted Raimi, Timothy Quill, Richard Grove, Bill Moseley, Patricia Tallman And Angela Featherstone, Director Of Photography Bill Pope, Editor Bob Murawski, Production Designer Anthony Tremblay, Composer Joseph Lo Duca, Costume Designer Ida Gearon, Special Make-Up Effects Artists Howard Berger, Tony Gardner, Robert Kurtzman, And Greg Nicotero, Performer And Effects Artist William Bryan, Mechanical Effects Artist Gary Jones, First Assistant Director John Cameron, Visual Effects Supervisor William Mesa, and Stunt Coordinator Christopher Doyle (96 min.)
-Original Ending
-Original Opening with Optional Commentary By Sam Raimi And Bruce Campbell
-Deleted Scenes with Optional Commentary By Sam Raimi And Bruce Campbell
-Theatrical Trailer
-TV Spots
-Home Video Promo

Disc Two (Director’s Cut – 96 min.) – 1080p High-Definition Widescreen (1.78:1), DTS-HD Master Audio 5.1 & 2.0
-Audio Commentary with Director Sam Raimi, Actor Bruce Campbell, and Co-Writer Ivan Raimi
-Additional Behind-The-Scenes Footage From KNB Effects (55 min.)
-Vintage “Creating The Deadites” Featurette (21 min.)
-Vintage “Making Of” Featurette
-Extended Interview Clips With Sam Raimi, Bruce Campbell, and Robert Tapert

Disc Three (International Cut – 88 min.) – 1080p High-Definition Widescreen (1.78:1), DTS-HD Master Audio 5.1 & 2.0
-4K Scan Of The International Inter-positive
-Television Version With Additional Footage (90 min., Standard Definition (1.33:1), DTS-HD Master Audio 2.0)
-Theatrical Trailer
-Still Galleries With Rare Behind-The-Scenes Photos From Production Designer Anthony Tremblay, Visual Effects Supervisor William Mesa And Special Make-Up Effects Artists Tony Gardner, and KNB EFX, Inc. (Over 200 Stills)
-Still Gallery Of Props And Rare Photos From The Collection Of Super Fan Dennis Carter Jr.
-Storyboards For Deleted Or Alternate Scenes
-Vintage “The Men Behind The Army” Featurette (19 min.)

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Buy: Amazon.com

Reviews:

The setting is Frank Frazetta by way of Monty Python, the action strictly Three Stooges Meet Jason and the Argonauts (lots of eye-boinking). Like Brian De Palma, Raimi borrows from a lot of sources but mooshes the stolen elements into an inspired style all his own … Raimi doesn’t have a thing on his mind except to give you a raucous good time, and he does.” Rob Gonsalves, eFilmCritic.com

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“With its glorious effects — not to mention a robust Bernard Herrmann-esque score by Joseph LoDuca — this film is first and foremost a tribute to Ray Harryhausen, though Raimi also finds room for shout-outs to William Shakespeare, The Day the Earth Stood Still and especially The Three Stooges.” Matt Brunson, Creative Loafing

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Buy: Amazon.com

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” …unlike Raimi’s other Evil Dead flicks, the effect of all this cinematic wizardry has no unnerving cumulative effect … Without the visceral impact and maniacal energy of its predecessors, Army of Darkness fails as anything but a tongue-in-cheek kids’ adventure show.” Steve Newton, Ear of Newt

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” …as this is mainly a comedy, its accomplishments there must also be mentioned. Aside from the numerous one-liners that are still often quoted to this day, just about as much of the comedy is physical as well. Great examples include a long portion of the film’s second act in which Ash is questing for The Necronomicon. It basically becomes a one-man show… Jeff Beck, The Blu Spot

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“…the film spends its latter portion staging a prolonged battle between militias of men and skeletons that’s short on inspiration and urgency, and thus serves only to highlight Raimi’s clever (for the early ‘90s, at least) melding of live-action and stop-motion effects. By opting for gonzo mania over any element of unnerving otherworldly terror, the film proves just a throwaway goof, and ultimately one with an inflated sense of its own funniness.” Nick Schager, Lessons of Darkness

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Buy: Amazon.co.uk

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The film spawned a comic book seriesArmy of Darkness comics are based on the film of the same name published originally by Dark Horse Comics, and later by Dynamite Entertainment who initially published them through Devil’s Due Publishing. The stories follow the adventures of the Evil Dead series, Ash Williams, and has included a number of crossovers with a wide variety of characters such as, Marvel Zombies, Darkman, Freddy Krueger, Jason Voorhees, Dracula, Xena, Danger Girl, Re-Animator and even Barack Obama.

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Cast and characters:

  • Bruce Campbell as Ash Williams/Evil Ash
  • Embeth Davidtz as Sheila
  • Marcus Gilbert as Lord Arthur
  • Ian Abercrombie as Wise man
  • Richard Grove as Duke Henry the Red
  • Timothy Patrick Quill as Blacksmith
  • Michael Earl Reid as Gold Tooth
  • Bridget Fonda as Linda
  • Patricia Tallman as Possessed witch
  • Ted Raimi as Cowardly warrior/Second supportive villager/Anthony, the S-Mart clerk
  • Angela Featherstone as S-Mart store girl
  • Noah Gillispie as Pit Monster

Filming locations:

Bronson Canyon, Vasquez Rocks Natural Area Park, and near Acton, on the edge of the Mojave Desert, California

Wikipedia | IMDb | Image credits: Wrong Side of the Art!

 


Arachnoquake (2012)

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‘The world will quake in fear’

Arachnoquake is a 2012 American made-for-television horror film directed by prolific Griff Furst (I Am Omega; Wolvesbayne; Mask Maker; Lake Placid III; Swamp Shark) from a screenplay by Eric Forsberg (Ghost Shark; Mega Piranha; Snakes on a Train) and Paul A. Birkett (Night Wings; Haunted High; Hellhounds).

The Active Entertainment production premiered on the Syfy cable television channel on 23rd June 2012.

Main cast:

Megan Adelle (Straw Dogs), Gralen Bryant Banks (Beast of the Bering Sea; American Horror House), Paul Boocock, Edward Furlong (The Zombie KingBrainscan), Tiara Ashleigh, Tracey Gold, Bug Hall, Olivia Hardt, Grant James, Ethan Phillips, Lucky Johnson, Earl Maddox.

Plot:

A massive earthquake unleashes hordes of fire-breathing albino spiders and they embark on a murderous rampage through New Orleans. Worse still, some of the spiders are becoming bigger and bigger…

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Buy: Amazon.com

Reviews:

“While the effects aren’t as terrible as the usual Syfy CGI, the are certainly cheesy enough to laugh at. That’s the point though. This isn’t a movie that was made to be serious. This was made to be fun and it really is a success on that factor. It’s one of those rare B-movies that is just as enjoyable without a group of drunk friends making fun of it.” Dead Derrick’s Horror Movie Reviews

“Unrealistic endings are commonplace in films, but the plan which eventually brings down the spiders is perhaps the most ridiculous in the history of motion pictures … Arachnoquake has its problems, but if you’re searching for the worst film ever you won’t find it here. You might even enjoy it, so it back and prepare for 86 minutes of jumping, fire-breathing mayhem.” Alex Morrison, That Film Guy

Arachnoquake - 2012

“It’s broad, dumb, obvious, and (almost) entirely predictable. It’s nothing more than yet another Saturday night cable TV time-filler, and it’s quite possibly the silliest movie you’ll see all month — and yet, if you’re a monster movie enthusiast (and I’m guessing you are), you may just find a few stray threads of relative amusement here.” FearNet

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Buy: Amazon.co.ukAmazon.com 

“In the wake of Speed and The Faculty, there are few bus-based action possibilities that have not been explored, and Arachnoquake doesn’t even try. Things perk up briefly during a doomed attempt to defend a supermarket with bug spray, and there’s an entertaining water-based chase, but little else to get excited about.” Jennie Kermode, Eye for Film

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IMDb

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Related entries: Arachnoquake | Big Ass Spider! | Curse of the Black Widow | The Giant Spider Invasion | Highgate Cemetery | In the Spider’s Web | Kingdom of the Spiders | Mesa of Lost Women | Nude for SatanThis Night I’ll Possess Your Corpse | The Web of Fear: A Brief History of Spider Horror Cinema


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